A portfolio of compositions with additional commentary and a contextual chapter. In the introduction chapter, particular focus is given to the individual approach to elements such as form, structure, dynamism, stasis, texture, gesture, silence, unity, diversity and meaning in music, as well as its context in the musical tradition. The incorporation of this specific approach is described in the following chapter (Portfolio) where each of the compositions is given a commentary in relation to the above-mentioned terms and in relation to a broader cultural context
This thesis consists of a portfolio of fourteen compositions, an accompanying commentary and recordi...
The following paper is a review of compositions written during the period 2000 to 2007. In presentin...
My D.Phil. composition portfolio consists of six works including a major work for solo electric guit...
The portfolio is a creative response to the question of how autochthonous new music might be compose...
The portfolio of compositions (part one) offers a selection of the composer’s most significant contr...
Volume 1. Portfolio of Compositions: 1. Two Pianos, 2. String Quartet, 3. Chamber Orchestra, 4. T...
The main focus of my PhD submission is a portfolio of compositions. This selection of pieces present...
The portfolio consists of eight compositions of varying instrumentation and length. The pieces explo...
This commentary paper explores two fundamental structural principles of music: repetition and change...
The submission consists in a portfolio of eight compositions of instrumental, electroacoustic and mi...
This thesis, comprised of a portfolio of compositions accompanied by media examples and commentary, ...
This folio of compositions represents four years of practice-led research into the relationship betw...
This portfolio of compositions and analytical commentary explores the use of extra-musical stimuli f...
This thesis consists of a portfolio of fourteen compositions, an accompanying commentary and recordi...
A portfolio of acousmatic and mixed compositions which explores the notion of sound as a multi-dimen...
This thesis consists of a portfolio of fourteen compositions, an accompanying commentary and recordi...
The following paper is a review of compositions written during the period 2000 to 2007. In presentin...
My D.Phil. composition portfolio consists of six works including a major work for solo electric guit...
The portfolio is a creative response to the question of how autochthonous new music might be compose...
The portfolio of compositions (part one) offers a selection of the composer’s most significant contr...
Volume 1. Portfolio of Compositions: 1. Two Pianos, 2. String Quartet, 3. Chamber Orchestra, 4. T...
The main focus of my PhD submission is a portfolio of compositions. This selection of pieces present...
The portfolio consists of eight compositions of varying instrumentation and length. The pieces explo...
This commentary paper explores two fundamental structural principles of music: repetition and change...
The submission consists in a portfolio of eight compositions of instrumental, electroacoustic and mi...
This thesis, comprised of a portfolio of compositions accompanied by media examples and commentary, ...
This folio of compositions represents four years of practice-led research into the relationship betw...
This portfolio of compositions and analytical commentary explores the use of extra-musical stimuli f...
This thesis consists of a portfolio of fourteen compositions, an accompanying commentary and recordi...
A portfolio of acousmatic and mixed compositions which explores the notion of sound as a multi-dimen...
This thesis consists of a portfolio of fourteen compositions, an accompanying commentary and recordi...
The following paper is a review of compositions written during the period 2000 to 2007. In presentin...
My D.Phil. composition portfolio consists of six works including a major work for solo electric guit...