Horse's Head, sculpture by Carl Milles, 1927, bronze; In Saarinen's designs for the Cranbrook campus he was able to combine a dedication to a craft-based tradition, which grew out of the Finnish National Romanticism, with mature urban-planning skills to produce a truly holistic composition. The museum building is described as "spare and almost Neo-classical," and was Saarinen’s last great work at Cranbrook. Its front arcade serves as a front façade, as a propylaeum, for the entire complex, with landscaped gardens gently sloping away from the massive columns, creating views to fountains, sculptures, and other campus buildings. The open portico (propylaeum) of the main facade has "the unmistakable air of European abstracted classicism of the ...