Partial view, showing figures at the viewer's lower left corner; Philosophy is one of a series of five copies of famous Italian frescoes commissioned from Mengs and other artists by the Earl of Northumberland in 1752 to hang in the long gallery in Northumberland House (for the other four see C.M. Kauffmann, Catalogue of Foreign Paintings, vol I, London, 1973, pp. 189-90). When Northumberland House was demolished in 1874, the painting was moved and eventually gifted to the V&A in 1926. Raphael's fresco of Philosophy, known as the School of Athens, was executed between 1508-1511 and fills a lunette in the Stanza della Segnatura in the papal apartments in the Vatican. In order to adapt this enormous painting to a rectangular format without dim...
ReconFigure Paintings is a solo exhibition at The Usher Gallery, Lincoln of an ongoing series of wor...
Summary: In the spring 1906 Giulio Aristide Sartorio (1860-1932) accepted to create a large series o...
Northern Italian Painting and Naturalism: Robert Strange, William Hunter and the Royal Academy of Ar...
Partial view, showing figures at the viewer's lower left corner; Philosophy is one of a series of fi...
BERGER Susanna, The Art of Philosophy : Visual Thinking in Europe from the Late Renaissance to the E...
The Ashmolean Museum in Oxford holds twenty-one fragments of full-sized tapestry cartoons. They were...
The fifteenth-century Italian artist Piero della Francesca painted a familiar world. Roads wind thro...
The article places Rosa’s two paintings of philosophers within an historical context, demonstrating ...
Palazzo Lancellotti in Rome is the work of Francesco Capriani and Carlo Maderno, who restored severa...
There are two types of perspective relevant to human vision, photographic and visual perspective. Ph...
The masterpieces of Giotto (1276-1336) : sixty reproductions of photographs from the original painti...
Boscoreale, fresco of philosopher, c. 40 BC. Ita;y. 2nd Pompeii style, Naples. Height 2 meters. perh...
Considered as devices designed to connect the fictional space of the picture to the real space of th...
Parthenon model, showing one metope and two triglyphs, looking up; "Elgin Marbles" is a popular term...
In 1580 the council members of the Fondaco dei Tedeschi, the Germans merchants’ house in Venice, vot...
ReconFigure Paintings is a solo exhibition at The Usher Gallery, Lincoln of an ongoing series of wor...
Summary: In the spring 1906 Giulio Aristide Sartorio (1860-1932) accepted to create a large series o...
Northern Italian Painting and Naturalism: Robert Strange, William Hunter and the Royal Academy of Ar...
Partial view, showing figures at the viewer's lower left corner; Philosophy is one of a series of fi...
BERGER Susanna, The Art of Philosophy : Visual Thinking in Europe from the Late Renaissance to the E...
The Ashmolean Museum in Oxford holds twenty-one fragments of full-sized tapestry cartoons. They were...
The fifteenth-century Italian artist Piero della Francesca painted a familiar world. Roads wind thro...
The article places Rosa’s two paintings of philosophers within an historical context, demonstrating ...
Palazzo Lancellotti in Rome is the work of Francesco Capriani and Carlo Maderno, who restored severa...
There are two types of perspective relevant to human vision, photographic and visual perspective. Ph...
The masterpieces of Giotto (1276-1336) : sixty reproductions of photographs from the original painti...
Boscoreale, fresco of philosopher, c. 40 BC. Ita;y. 2nd Pompeii style, Naples. Height 2 meters. perh...
Considered as devices designed to connect the fictional space of the picture to the real space of th...
Parthenon model, showing one metope and two triglyphs, looking up; "Elgin Marbles" is a popular term...
In 1580 the council members of the Fondaco dei Tedeschi, the Germans merchants’ house in Venice, vot...
ReconFigure Paintings is a solo exhibition at The Usher Gallery, Lincoln of an ongoing series of wor...
Summary: In the spring 1906 Giulio Aristide Sartorio (1860-1932) accepted to create a large series o...
Northern Italian Painting and Naturalism: Robert Strange, William Hunter and the Royal Academy of Ar...