Side entrance to the entry court, showing later addition of fountain and stair; Post-Reformation England had been generally over-provided with churches, and Wren was thus the first architect to face seriously the problem of designing for the Anglican liturgy. In 1711, in a paper of advice written for the benefit of another church-building programme, he succinctly identified the prime requirement as an 'auditory' in which all could see and hear, with additional seating in galleries placed over the side aisles - a formula not unlike that of his Sheldonian Theatre. He used this form, with a token chancel containing the altar table, in all the larger churches. The example he cited, St James, Piccadilly, is not in the City but in Westminster: it...