Add to ORKGThis paper details the development and use of a reverse phase high performance liquid chromatographic (RP-HPLC) technique for the am/no acid analysis of proteinaceous artists' media. Samples (for example, animal glues, milk and egg proteins) were hydrolysed under acid conditions, then derivatized with 9-fluorenyl-methyl chloroformate (FMOC). Analysis was achieved via injection onto a Spherisorb ODS-2 (Phase Separations Ltd, Deeside, Flintshire, UK) column with a gradient elution programme and ultraviolet (UV) detection. Samples of proteinaceous binding materials removed from works of art have been successfully identified using the method described
The chemical characterization of materials used in works of art is extremely useful for gaining a be...
Chemical hydrolysis assisted by microwave irradiation has been proposed as an alternative method for...
A proteomics approach was used for the identification of protein binders in historical paints: the p...
The tempera painting technique is one of the most common methods used throughout art history. Tempe...
Proteins in works of art are generally determined by the relative amounts of amino acids. This metho...
A new approach was explored to purify proteins in a multi-step procedure for the characterisation of...
This paper presents a GC-MS analytical procedure for determining proteinaceous materials, glycerolip...
We report a GC-MS method for the simultaneous analysis of proteins oil, and diterpenoid resins found...
Liquid chromatography has been widely employed in the analysis of materials in Heritage Science, due...
The aim of this project was the development and application of chromatographic techniques for the ch...
Comprehension of the materials, such as binding media, used by artists is of uttermost importance in...
Identification of proteins in paintings and polychrome objects is a challenge, which requires the de...
Proteinaceous organic materials used as ancient painting media were investigated by capillary gas ch...
Chemical hydrolysis assisted by microwave irradiation has been proposed as an alternative method for...
HPLC was applied on freshly produced and weathered proteinous painting materials. Because of differe...
The chemical characterization of materials used in works of art is extremely useful for gaining a be...
Chemical hydrolysis assisted by microwave irradiation has been proposed as an alternative method for...
A proteomics approach was used for the identification of protein binders in historical paints: the p...
The tempera painting technique is one of the most common methods used throughout art history. Tempe...
Proteins in works of art are generally determined by the relative amounts of amino acids. This metho...
A new approach was explored to purify proteins in a multi-step procedure for the characterisation of...
This paper presents a GC-MS analytical procedure for determining proteinaceous materials, glycerolip...
We report a GC-MS method for the simultaneous analysis of proteins oil, and diterpenoid resins found...
Liquid chromatography has been widely employed in the analysis of materials in Heritage Science, due...
The aim of this project was the development and application of chromatographic techniques for the ch...
Comprehension of the materials, such as binding media, used by artists is of uttermost importance in...
Identification of proteins in paintings and polychrome objects is a challenge, which requires the de...
Proteinaceous organic materials used as ancient painting media were investigated by capillary gas ch...
Chemical hydrolysis assisted by microwave irradiation has been proposed as an alternative method for...
HPLC was applied on freshly produced and weathered proteinous painting materials. Because of differe...
The chemical characterization of materials used in works of art is extremely useful for gaining a be...
Chemical hydrolysis assisted by microwave irradiation has been proposed as an alternative method for...
A proteomics approach was used for the identification of protein binders in historical paints: the p...