Add to ORKGThe article reports on approaches towards the development and assessment of liquid cleaning agents for acrylic latex paints of artists. It mentions the components of its methodology from high throughput (HTP) automated laboratory equipment for sample formulation, treatment and analysis. It also notes a comparative evaluation of naptha-based preparations and a proprietary water-in-oil microemulsion leading to stable microemulsion system formulation for art conservation cleaning applications
Green contemporary art conservation cleaning methods are explored as sustainable museum practices, e...
This master thesis studies various cleaning techniques used to conserve the unvarnished matte temper...
Roy Lichtenstein’s Whaam! (1963) is an iconic artwork in Tate’s collection (T00897). Over the past 5...
Works of art prepared with acrylic emulsion paints became commercially available in the 1960s. It is...
<p>This paper reports further developments emerging from a collaboration between The Dow Chemical Co...
This paper presents a summary of some research into the evaluation of mineral spirits-based microemu...
This paper reports further developments emerging from a collaboration between The Dow Chemical Compa...
This paper outlines the approach and key findings of systematic studies into the use of various surf...
This paper outlines the approach and key findings of systematic studies into the use of various surf...
An integrated system for the controlled-delivery and micro-aspiration of aqueous solutions for clean...
Traditional cleaning methods with organic solvents often are not suitable for removal of aged resin ...
Low-risk removal of embedded surface soiling on delicate heritage objects can require novel alternat...
In last decades, the safety of both artworks and restorers during cleaning operations, has been the ...
Cleaning is one of the most important, delicate at the same time controversial processes belonging t...
We expect material used for retouchings to possess excellent stability throughout the process of agi...
Green contemporary art conservation cleaning methods are explored as sustainable museum practices, e...
This master thesis studies various cleaning techniques used to conserve the unvarnished matte temper...
Roy Lichtenstein’s Whaam! (1963) is an iconic artwork in Tate’s collection (T00897). Over the past 5...
Works of art prepared with acrylic emulsion paints became commercially available in the 1960s. It is...
<p>This paper reports further developments emerging from a collaboration between The Dow Chemical Co...
This paper presents a summary of some research into the evaluation of mineral spirits-based microemu...
This paper reports further developments emerging from a collaboration between The Dow Chemical Compa...
This paper outlines the approach and key findings of systematic studies into the use of various surf...
This paper outlines the approach and key findings of systematic studies into the use of various surf...
An integrated system for the controlled-delivery and micro-aspiration of aqueous solutions for clean...
Traditional cleaning methods with organic solvents often are not suitable for removal of aged resin ...
Low-risk removal of embedded surface soiling on delicate heritage objects can require novel alternat...
In last decades, the safety of both artworks and restorers during cleaning operations, has been the ...
Cleaning is one of the most important, delicate at the same time controversial processes belonging t...
We expect material used for retouchings to possess excellent stability throughout the process of agi...
Green contemporary art conservation cleaning methods are explored as sustainable museum practices, e...
This master thesis studies various cleaning techniques used to conserve the unvarnished matte temper...
Roy Lichtenstein’s Whaam! (1963) is an iconic artwork in Tate’s collection (T00897). Over the past 5...