Add to ORKGIn this paper the author reflects on the early history of the Documenta exhibitions held every five years in Kassel, Germany, from 1955. Recalling his long engagement with the topic of the historiography of exhibitions, he compares documenta with earlier exhibitions at Recklinghausen and with Skulptur-Projekte Münster, drawing out the special features of what he calls periodic exhibitions
Why are histories of exhibitions, rather than histories of art, of particular importance for new med...
Cet article vise à identifier et circonscrire les liens entre les biennales internationales d’art co...
The recent probing of display conventions and audience interrelations in contemporary exhibition ven...
On the occasion of documenta's 14th edition, this special issue scrutinizes the ways in which the Ka...
The re-staging of seminal exhibitions is an emerging phenomenon, based on the re-enactment of histor...
This essay compares the origins of the first documenta exhibition in Kassel in 1955 with the first g...
The authors concentrate on the historical development of exhibitions and their changing characterist...
Do exhibitions fall into amnesia because they are not collected by museums? Is it true that exhibiti...
Using case studies of documenta 5 (1972) and documenta 6 (1977) in Kassel, this article investigates...
This paper argues for the importance of the exhibition catalogue in the history of art, and for inst...
The aim of the volume Exhibited Cinema is to reconstruct the history of cinema in exhibition context...
The museum exhibition, a medium in a state of change. The aim of the article is to present an overvi...
This publication explores themes of the exhibition through its terms—not, however, to confine into i...
How Exhibitionary Practices Take Place The centenary of the Kunsthalle Bern in 2018 calls for a r...
Project report, conference program and abstracts The project is funded by Oslo National Academy of t...
Why are histories of exhibitions, rather than histories of art, of particular importance for new med...
Cet article vise à identifier et circonscrire les liens entre les biennales internationales d’art co...
The recent probing of display conventions and audience interrelations in contemporary exhibition ven...
On the occasion of documenta's 14th edition, this special issue scrutinizes the ways in which the Ka...
The re-staging of seminal exhibitions is an emerging phenomenon, based on the re-enactment of histor...
This essay compares the origins of the first documenta exhibition in Kassel in 1955 with the first g...
The authors concentrate on the historical development of exhibitions and their changing characterist...
Do exhibitions fall into amnesia because they are not collected by museums? Is it true that exhibiti...
Using case studies of documenta 5 (1972) and documenta 6 (1977) in Kassel, this article investigates...
This paper argues for the importance of the exhibition catalogue in the history of art, and for inst...
The aim of the volume Exhibited Cinema is to reconstruct the history of cinema in exhibition context...
The museum exhibition, a medium in a state of change. The aim of the article is to present an overvi...
This publication explores themes of the exhibition through its terms—not, however, to confine into i...
How Exhibitionary Practices Take Place The centenary of the Kunsthalle Bern in 2018 calls for a r...
Project report, conference program and abstracts The project is funded by Oslo National Academy of t...
Why are histories of exhibitions, rather than histories of art, of particular importance for new med...
Cet article vise à identifier et circonscrire les liens entre les biennales internationales d’art co...
The recent probing of display conventions and audience interrelations in contemporary exhibition ven...