This article uses two Australian historiographic metafictive texts, Into White Silence (Eaton, 2008) and The Lace Maker’s Daughter (Crew, 2005), to demonstrate how particular narrative strategies destabilize the relationship between history and fiction and the past and the present
Although, in some ways, Sarah Waters’s Affinity looks akin to historiographic metafiction, M.-L. Koh...
AbstractThe paper attempts to investigate how literature present and represent the past. In the maki...
Dismissing history’s truths, Hayden White provocatively asserts that there is an “inexpugnable relat...
This article uses two Australian historiographic metafictive texts, Into White Silence (Eaton, 2008)...
This practice-based research project consists of a 33,000-word novella, "Folly", and a 50,000-word e...
‘Historiographic Metafiction’ (HM) is a literary term first coined by creative writing academic Lind...
In this dissertation, aspects of the creative process involved in `writing the past' are theorised f...
This thesis contains a work of historical fiction followed by a critical essay exploring the aspect ...
A & C Black's Flashbacks series invites its readers to “Read a Flashback...take a journey backwards ...
This dissertation argues that postmodern American fiction has strategically performed a series of re...
This thesis investigates how effective works of fiction are, through their depictions of past world...
Although, in some ways, Sarah Waters?s Affinity looks akin to historiographic metafiction, M.-L. Koh...
In ‘Interpreting History Through Fiction: Three Writers Discuss their Methods’, creative historical ...
The article discusses three theories of the representation of historical past – Collingwood’s, Veyne...
Since at least the late 1980s, those working on the lineage of the ever-nebulously-titled postmodern...
Although, in some ways, Sarah Waters’s Affinity looks akin to historiographic metafiction, M.-L. Koh...
AbstractThe paper attempts to investigate how literature present and represent the past. In the maki...
Dismissing history’s truths, Hayden White provocatively asserts that there is an “inexpugnable relat...
This article uses two Australian historiographic metafictive texts, Into White Silence (Eaton, 2008)...
This practice-based research project consists of a 33,000-word novella, "Folly", and a 50,000-word e...
‘Historiographic Metafiction’ (HM) is a literary term first coined by creative writing academic Lind...
In this dissertation, aspects of the creative process involved in `writing the past' are theorised f...
This thesis contains a work of historical fiction followed by a critical essay exploring the aspect ...
A & C Black's Flashbacks series invites its readers to “Read a Flashback...take a journey backwards ...
This dissertation argues that postmodern American fiction has strategically performed a series of re...
This thesis investigates how effective works of fiction are, through their depictions of past world...
Although, in some ways, Sarah Waters?s Affinity looks akin to historiographic metafiction, M.-L. Koh...
In ‘Interpreting History Through Fiction: Three Writers Discuss their Methods’, creative historical ...
The article discusses three theories of the representation of historical past – Collingwood’s, Veyne...
Since at least the late 1980s, those working on the lineage of the ever-nebulously-titled postmodern...
Although, in some ways, Sarah Waters’s Affinity looks akin to historiographic metafiction, M.-L. Koh...
AbstractThe paper attempts to investigate how literature present and represent the past. In the maki...
Dismissing history’s truths, Hayden White provocatively asserts that there is an “inexpugnable relat...