This is Part 5d of a multi-part essay gathering compositions with ascending lines and cadence gestures in European and European-influenced music. Composers include, among others, Chaminade, Benjamin Cutter, Edward German, Grieg, Kéler, Sousa, Tchaikovsky, and Waldteufel. Additional examples come from folk song and dance collections by Elizabeth Burchenal.Musi
This is Part 4b of a multi-part essay gathering compositions with ascending lines and cadence gestur...
This is Part 2e of a multi-part essay gathering compositions with ascending lines and cadence gestur...
Adolphe Adam’s one-act opéra comique Le Châlet (1834) is a milestone in the history of rising cadenc...
This is Part 5d of a multi-part essay gathering compositions with ascending lines and cadence gestur...
This continues Part 4 of a multi-part essay gathering compositions with ascending lines and upper-re...
This is Part 3b of a multi-part essay gathering compositions with ascending lines and cadence gestur...
Part 3a of a multi-part essay gathers compositions with ascending lines and upper-register cadence g...
This belongs to a multi-part essay series gathering compositions with ascending lines and upper-regi...
This new documentation of traditional European and European-influenced music with ascending lines an...
This essay continues from the Historical Survey Parts 4b & 4b2, which covered polkas between 1840 an...
This essay supplements the Historical Survey Part 4b, which covered ascending cadence gestures in po...
Part 5b of this multi-part essay gathers compositions with ascending and upper-register cadence gest...
This supplement has additional polkas from the 1840s and 1850s. Composers include, among others, Cha...
Rising melodic figures have a long history in cadences in European music of all genres. This essay d...
This is a documentation of traditional European music with ascending lines and cadence gestures. Par...
This is Part 4b of a multi-part essay gathering compositions with ascending lines and cadence gestur...
This is Part 2e of a multi-part essay gathering compositions with ascending lines and cadence gestur...
Adolphe Adam’s one-act opéra comique Le Châlet (1834) is a milestone in the history of rising cadenc...
This is Part 5d of a multi-part essay gathering compositions with ascending lines and cadence gestur...
This continues Part 4 of a multi-part essay gathering compositions with ascending lines and upper-re...
This is Part 3b of a multi-part essay gathering compositions with ascending lines and cadence gestur...
Part 3a of a multi-part essay gathers compositions with ascending lines and upper-register cadence g...
This belongs to a multi-part essay series gathering compositions with ascending lines and upper-regi...
This new documentation of traditional European and European-influenced music with ascending lines an...
This essay continues from the Historical Survey Parts 4b & 4b2, which covered polkas between 1840 an...
This essay supplements the Historical Survey Part 4b, which covered ascending cadence gestures in po...
Part 5b of this multi-part essay gathers compositions with ascending and upper-register cadence gest...
This supplement has additional polkas from the 1840s and 1850s. Composers include, among others, Cha...
Rising melodic figures have a long history in cadences in European music of all genres. This essay d...
This is a documentation of traditional European music with ascending lines and cadence gestures. Par...
This is Part 4b of a multi-part essay gathering compositions with ascending lines and cadence gestur...
This is Part 2e of a multi-part essay gathering compositions with ascending lines and cadence gestur...
Adolphe Adam’s one-act opéra comique Le Châlet (1834) is a milestone in the history of rising cadenc...
DOI
Add to ORKG