Part 2f of a multi-part essay gathers additional compositions with ascending and upper-register cadence gestures in European and European-influenced music before 1650. Compositions include instrumental and vocal music by Arcadelt, Banchieri, Cazzati, Hammerschmidt, Marenzio, Quagliati, and Rusca (among others), as well as music from volumes published by the houses of Gardano and Vincenti. The document is in three files, Parts 2f1, 2f2, and 2f3.Musi
This is Part 5d of a multi-part essay gathering compositions with ascending lines and cadence gestur...
Part 4 of the New Historical Survey series covers the years 1780-1860. Part 4d samples hymn collecti...
Orphée aux Enfers was Jacques Offenbach’s first success with a full-scale operetta and remains for m...
Part 2f of a multi-part essay gathers additional compositions with ascending and upper-register cade...
This is Part 2e of a multi-part essay gathering compositions with ascending lines and cadence gestur...
This is a documentation of traditional European music with ascending lines and cadence gestures. Par...
This new documentation of traditional European and European-influenced music with ascending lines an...
Part 3a of a multi-part essay gathers compositions with ascending lines and upper-register cadence g...
This file updates the Index published in January 2019. There are two sections. The first is a progre...
This is Part 3b of a multi-part essay gathering compositions with ascending lines and cadence gestur...
This belongs to a multi-part essay series gathering compositions with ascending lines and upper-regi...
This is an index to musical compositions discussed in essays published on this platform since 2010, ...
This is Part 4b of a multi-part essay gathering compositions with ascending lines and cadence gestur...
This supplement has additional polkas from the 1840s and 1850s. Composers include, among others, Cha...
This continues Part 4 of a multi-part essay gathering compositions with ascending lines and upper-re...
This is Part 5d of a multi-part essay gathering compositions with ascending lines and cadence gestur...
Part 4 of the New Historical Survey series covers the years 1780-1860. Part 4d samples hymn collecti...
Orphée aux Enfers was Jacques Offenbach’s first success with a full-scale operetta and remains for m...
Part 2f of a multi-part essay gathers additional compositions with ascending and upper-register cade...
This is Part 2e of a multi-part essay gathering compositions with ascending lines and cadence gestur...
This is a documentation of traditional European music with ascending lines and cadence gestures. Par...
This new documentation of traditional European and European-influenced music with ascending lines an...
Part 3a of a multi-part essay gathers compositions with ascending lines and upper-register cadence g...
This file updates the Index published in January 2019. There are two sections. The first is a progre...
This is Part 3b of a multi-part essay gathering compositions with ascending lines and cadence gestur...
This belongs to a multi-part essay series gathering compositions with ascending lines and upper-regi...
This is an index to musical compositions discussed in essays published on this platform since 2010, ...
This is Part 4b of a multi-part essay gathering compositions with ascending lines and cadence gestur...
This supplement has additional polkas from the 1840s and 1850s. Composers include, among others, Cha...
This continues Part 4 of a multi-part essay gathering compositions with ascending lines and upper-re...
This is Part 5d of a multi-part essay gathering compositions with ascending lines and cadence gestur...
Part 4 of the New Historical Survey series covers the years 1780-1860. Part 4d samples hymn collecti...
Orphée aux Enfers was Jacques Offenbach’s first success with a full-scale operetta and remains for m...