This design-based research project addresses the gap between formal music education curricula and the knowledge and skills necessary to enter the professional music industry. It analyses the work of a teacher/researcher who invited her high school students to start their own business venture, Youth Music Industries (YMI). YMI also functioned as a learning environment informed by the theoretical concepts of communities of practice and social capital. The students staged cycles of events of various scales over a three-year period, as platforms for young artists to engage and develop new, young audiences across Queensland, Australia. The study found that students developed an entrepreneurial mindset through acquisition of specific skills and k...
The creative industries is recognized as one of the fastest growing sectors of the global economy. M...
The creative industries is recognized as one of the fastest growing sectors of the global economy. M...
Trajectories for future music education and innovation require understanding of here-and-now musical...
There is widespread agreement that entrepreneurial skills are crucial for young people today, yet th...
The changes in the music industry structure over the last decade now require musicians to be multi-s...
This book addresses the gap between formal music education curricula and the knowledge and skills ne...
Free to read on publishers website In Australia, the creative industries are seen as vital to the de...
Research BackgroundGiven the ever-changing nature of the music industry and the scarcity of employme...
"Given the ever-changing nature of the music industry and the scarcity of employment for musicians y...
Considering the changing nature of the music industry and the diversity of employment for musical en...
PurposeEntrepreneurship education is recommended for implementation throughout the entire educationa...
In the late 1990s, the emergence of the digital era posed enormous challenges for the music industry...
I have chosen to study cultural entrepreneurship, particularly focused in the popular music industri...
The Australian music sector is currently under-researched, inadequately defined, and lacks sector-wi...
Increasingly, higher education has called upon arts entrepreneurship to prepare artists for sustaina...
The creative industries is recognized as one of the fastest growing sectors of the global economy. M...
The creative industries is recognized as one of the fastest growing sectors of the global economy. M...
Trajectories for future music education and innovation require understanding of here-and-now musical...
There is widespread agreement that entrepreneurial skills are crucial for young people today, yet th...
The changes in the music industry structure over the last decade now require musicians to be multi-s...
This book addresses the gap between formal music education curricula and the knowledge and skills ne...
Free to read on publishers website In Australia, the creative industries are seen as vital to the de...
Research BackgroundGiven the ever-changing nature of the music industry and the scarcity of employme...
"Given the ever-changing nature of the music industry and the scarcity of employment for musicians y...
Considering the changing nature of the music industry and the diversity of employment for musical en...
PurposeEntrepreneurship education is recommended for implementation throughout the entire educationa...
In the late 1990s, the emergence of the digital era posed enormous challenges for the music industry...
I have chosen to study cultural entrepreneurship, particularly focused in the popular music industri...
The Australian music sector is currently under-researched, inadequately defined, and lacks sector-wi...
Increasingly, higher education has called upon arts entrepreneurship to prepare artists for sustaina...
The creative industries is recognized as one of the fastest growing sectors of the global economy. M...
The creative industries is recognized as one of the fastest growing sectors of the global economy. M...
Trajectories for future music education and innovation require understanding of here-and-now musical...