In post-COVID times we are focusing quite rightly on the plight of our major cultural institutions; but just as important are the local societies that enrich our community life, including amateur music societies, devastated by stringent social-distancing requirements and the health and safety implications of live performance in small spaces. We propose a vision of digitally enabled collaboration that may help these societies rebuild their sense of community and purpose, by working together with academics, archives, and a major US arts centre to reconnect with their past and enrich understanding of their own histories and traditions within a broader national context
Access to data is seen as a key priority today. Yet, the vast majority of digital cultural data pres...
Digital methods have begun to make their way into the research practices of music scholars, and most...
A fast expanding network of DIY music communities in the UK see digital technologies transforming wa...
The centenaries of former chapters of the British Music Society (BMS), established in 1918, have pro...
Live musical performances play a powerful role in defining human communities across the globe, yet s...
Long term, as well as contemporary, access to our cultural and scientific heritage being created in ...
While the major theatre collections of universities and libraries in the UK, Europe and the USA have...
The transformative promise of the digital humanities is not without problems. This paper looks at di...
This article explores the potential that community-led digital engagement with heritage holds for st...
This article examines the concept of democratization and explains why it has been applied in unhelpf...
This post was contributed by symposium organizers PhD candidate Hannah Barton, Dr Joel McKim and Pro...
[[abstract]]Performing art organizations cultivate rich cultural assets. Performing arts groups util...
The process of digitising archives, widespread in the previous decade, has not omitted musical reso...
Reflects on the controversies and conflicts associated with the collective management of music copyr...
In recent times, digital approaches have been applied in many different branches of the humanities a...
Access to data is seen as a key priority today. Yet, the vast majority of digital cultural data pres...
Digital methods have begun to make their way into the research practices of music scholars, and most...
A fast expanding network of DIY music communities in the UK see digital technologies transforming wa...
The centenaries of former chapters of the British Music Society (BMS), established in 1918, have pro...
Live musical performances play a powerful role in defining human communities across the globe, yet s...
Long term, as well as contemporary, access to our cultural and scientific heritage being created in ...
While the major theatre collections of universities and libraries in the UK, Europe and the USA have...
The transformative promise of the digital humanities is not without problems. This paper looks at di...
This article explores the potential that community-led digital engagement with heritage holds for st...
This article examines the concept of democratization and explains why it has been applied in unhelpf...
This post was contributed by symposium organizers PhD candidate Hannah Barton, Dr Joel McKim and Pro...
[[abstract]]Performing art organizations cultivate rich cultural assets. Performing arts groups util...
The process of digitising archives, widespread in the previous decade, has not omitted musical reso...
Reflects on the controversies and conflicts associated with the collective management of music copyr...
In recent times, digital approaches have been applied in many different branches of the humanities a...
Access to data is seen as a key priority today. Yet, the vast majority of digital cultural data pres...
Digital methods have begun to make their way into the research practices of music scholars, and most...
A fast expanding network of DIY music communities in the UK see digital technologies transforming wa...