Comparatively little is known about the musical cultures of the British armed forces during the Great War. This groundbreaking study is the first to examine music's vital presence in a range of military contexts including military camps, ships, aerodromes and battlefields, canteen huts, hospitals and PoW camps. Emma Hanna argues that music was omnipresent in servicemen's wartime existence and was a vital element for the maintenance of morale. She shows how music was utilised to stimulate recruitment and fundraising, for diplomatic and propaganda purposes, and for religious, educational and therapeutic reasons. Music was not in any way ephemeral, it was unmatched in its power to cajole, console, cheer and inspire during the conflict and its ...
International audienceVictorian music hall has been much studied, Edwardian music hall much less, an...
Scholarship on British perspectives on the First World War now consistently incorporates reflections...
Article publié sur le site de la British LibraryAlthough popular music from 1914–18 often made no me...
Comparatively little is known about the musical cultures of the British armed forces during the Grea...
Although military music was among the most widespread forms of music making during the nineteenth-ce...
The use of classical music as a tool of propaganda in Britain during the War can be seen to have bee...
International audienceBritish music hall of the First World War has been little studied. Half a doze...
This article examines the role of songs and singing in maintaining morale and squadron identity in t...
This article examines the role of songs and singing in maintaining morale and squadron identity in t...
Sounds and silences are an integral to the history and memory of the First World War. The aural land...
This thesis examines the relationship between (primarily) American popular music, as defined within ...
In the First World War, civilian life played a fundamental part in the war effort; and music was no ...
In the First World War, civilian life played a fundamental part in the war effort; and music was no ...
In the First World War, civilian life played a fundamental part in the war effort; and music was no ...
International audiencePopular song has been regularly referred to in general history books about the...
International audienceVictorian music hall has been much studied, Edwardian music hall much less, an...
Scholarship on British perspectives on the First World War now consistently incorporates reflections...
Article publié sur le site de la British LibraryAlthough popular music from 1914–18 often made no me...
Comparatively little is known about the musical cultures of the British armed forces during the Grea...
Although military music was among the most widespread forms of music making during the nineteenth-ce...
The use of classical music as a tool of propaganda in Britain during the War can be seen to have bee...
International audienceBritish music hall of the First World War has been little studied. Half a doze...
This article examines the role of songs and singing in maintaining morale and squadron identity in t...
This article examines the role of songs and singing in maintaining morale and squadron identity in t...
Sounds and silences are an integral to the history and memory of the First World War. The aural land...
This thesis examines the relationship between (primarily) American popular music, as defined within ...
In the First World War, civilian life played a fundamental part in the war effort; and music was no ...
In the First World War, civilian life played a fundamental part in the war effort; and music was no ...
In the First World War, civilian life played a fundamental part in the war effort; and music was no ...
International audiencePopular song has been regularly referred to in general history books about the...
International audienceVictorian music hall has been much studied, Edwardian music hall much less, an...
Scholarship on British perspectives on the First World War now consistently incorporates reflections...
Article publié sur le site de la British LibraryAlthough popular music from 1914–18 often made no me...