Add to ORKGHow is photography connected to global practices? This is a first edited collection to trace the relationship between history, photography and memory in a global perspective on three interrelated levels: firstly, in the artistic and cultural production of pictures, secondly, in the decoding of colonial and contemporary photography, and thirdly, in collecting photographs in picture archives dealing with colonial and anthropological photography. The contributions sketch the contested field of (post-)colonial photography and trace the manifold intertwinements between historical and contemporary photographs
This masters thesis gives an insight into my artistic practice – that explores colonial history, the...
Conference paper presented March 25-26, 2011.This project began as a paper given for a lecture serie...
Imaging and Imagining Palestine is the first comprehensive study of photography during the British M...
How is photography connected to global practices? This is a first edited collection to trace the re...
This edited volume considers the many ways in which landscape (seen and unseen) is fundamental to pl...
This edited volume considers the many ways in which landscape (seen and unseen) is fundamental to pl...
This edited volume considers the many ways in which landscape (seen and unseen) is fundamental to pl...
That photographs have been neglected in the study of African history has become, in recent years, a ...
The research group of four London-based photographers from France, Germany, Iran and Switzerland inv...
This paper traces the origins of photography as a visual genre. It goes ahead to discuss the introdu...
This collection explores women’s multifaceted historical and contemporary involvement in photography...
This essay reflects on the conditions of contemporary art photography as a global phenomenon with an...
This article takes a selection of works of contemporary photography as starting points in a discussi...
Is it ethical to freely redistribute photographs taken in colonial contexts, historically and today?...
The volume demonstrates that photography was the cornerstone of imperial media governance and discou...
This masters thesis gives an insight into my artistic practice – that explores colonial history, the...
Conference paper presented March 25-26, 2011.This project began as a paper given for a lecture serie...
Imaging and Imagining Palestine is the first comprehensive study of photography during the British M...
How is photography connected to global practices? This is a first edited collection to trace the re...
This edited volume considers the many ways in which landscape (seen and unseen) is fundamental to pl...
This edited volume considers the many ways in which landscape (seen and unseen) is fundamental to pl...
This edited volume considers the many ways in which landscape (seen and unseen) is fundamental to pl...
That photographs have been neglected in the study of African history has become, in recent years, a ...
The research group of four London-based photographers from France, Germany, Iran and Switzerland inv...
This paper traces the origins of photography as a visual genre. It goes ahead to discuss the introdu...
This collection explores women’s multifaceted historical and contemporary involvement in photography...
This essay reflects on the conditions of contemporary art photography as a global phenomenon with an...
This article takes a selection of works of contemporary photography as starting points in a discussi...
Is it ethical to freely redistribute photographs taken in colonial contexts, historically and today?...
The volume demonstrates that photography was the cornerstone of imperial media governance and discou...
This masters thesis gives an insight into my artistic practice – that explores colonial history, the...
Conference paper presented March 25-26, 2011.This project began as a paper given for a lecture serie...
Imaging and Imagining Palestine is the first comprehensive study of photography during the British M...