The aim of the author's research was to study 1) the thematic elements and the composition of the plays (lelampahan wayang), and 2) their religious and cultural background. She concentrates on one particular play: the story of Bima Swarga. The study is based mainly on fieldwork carried out in Bali over the period 1972- 1976, when materials were collected from oral and written sources
How should we set about understanding dance in Bali and its relevance to the study of Indonesia and ...
Through ethnographic fieldwork and archival research, this dissertation examines development and cha...
The villages on Bali's north-east coast have a long history. Archaeological findings have shown that...
The aim of the author's research was to study 1) the thematic elements and the composition of the pl...
In my thesis I describe many kinds of theatrical forms in Bali island - Indonesia. I choose this the...
Studying the performing art of wayang golek in the late 1970s requiredlearning how to learn a comple...
This thesis is intended to be the first detailed account of the craftsmanship, iconography and backg...
Playwrights, practitioners, and art historians have been shocked and inspired by Balinese theatre ti...
The villages on Bali’s north-east coast have a long history. Archaeological finds have shown that th...
© 1978 Roma M. G. Sisley O'NeillThis thesis was completed in the Department of Indian Studies and th...
Gamelan gong luang is a rare and sacred music ensemble performed in Bali, Indonesia. Its origins ar...
This study explores the Balinese verbal art of the shadow theater against a background of cultural b...
Abstract: This research analyses the manuscript of Bima Swarga and its context based on two versions...
Gamelan Gong Beri is an uniqure ensemble found in two village, i.e., Renon and Semawang in southn Ba...
Abstract This research compares and contrasts the structure of Javanese Wayang Kulit (Shadow Puppe...
How should we set about understanding dance in Bali and its relevance to the study of Indonesia and ...
Through ethnographic fieldwork and archival research, this dissertation examines development and cha...
The villages on Bali's north-east coast have a long history. Archaeological findings have shown that...
The aim of the author's research was to study 1) the thematic elements and the composition of the pl...
In my thesis I describe many kinds of theatrical forms in Bali island - Indonesia. I choose this the...
Studying the performing art of wayang golek in the late 1970s requiredlearning how to learn a comple...
This thesis is intended to be the first detailed account of the craftsmanship, iconography and backg...
Playwrights, practitioners, and art historians have been shocked and inspired by Balinese theatre ti...
The villages on Bali’s north-east coast have a long history. Archaeological finds have shown that th...
© 1978 Roma M. G. Sisley O'NeillThis thesis was completed in the Department of Indian Studies and th...
Gamelan gong luang is a rare and sacred music ensemble performed in Bali, Indonesia. Its origins ar...
This study explores the Balinese verbal art of the shadow theater against a background of cultural b...
Abstract: This research analyses the manuscript of Bima Swarga and its context based on two versions...
Gamelan Gong Beri is an uniqure ensemble found in two village, i.e., Renon and Semawang in southn Ba...
Abstract This research compares and contrasts the structure of Javanese Wayang Kulit (Shadow Puppe...
How should we set about understanding dance in Bali and its relevance to the study of Indonesia and ...
Through ethnographic fieldwork and archival research, this dissertation examines development and cha...
The villages on Bali's north-east coast have a long history. Archaeological findings have shown that...
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