Over the following pages, I will propose and present a method that integrates the sound realm of computer music into the domain of human performance, striving to find a balance between these two worlds by focusing on the importance of timbre in today’s music creation. I shall also explore the historical contribution of the performers of contemporary music to its idiomatic development
Approaches to electronic music are divided between the computational and perceptual. Computational a...
The Internet is an ideal platform for most forms of musicking (Small, 1998): it is now used extensiv...
Phonetic symbols describe movements of the vocal tract, tongue and lips, and are combined into compl...
In the history of Western musical thought, the intelligibility as well as the expressive powers of m...
The digital age is continuously redefining the bounds of interaction. This has never been more appar...
How can we provide interfaces to synthesis algorithms thatwill allow us to manipulate timbre directl...
The thesis deals with the issues of timbre which has been for a long time neglected by music theory ...
Phonetic symbols describe movements of the vocal tract,tongue and lips, and are combined into comple...
There are strong musical motivations for current efforts to transfer the human concepts underlying m...
Computer music is that in which computers mediate some or all part(s) of the creative process. Compu...
International audienceExploring the many surprising facets of timbre through sound manipulations has...
cote interne IRCAM: McAdams99aNone / NoneNational audienceSeveral approaches to the role of timbre p...
The Oxford Handbook of Computer Music offers a state-of-the-art cross-section of the most field-defi...
Technology influences all art, and therefore all music, including composition, performance and liste...
This thesis examines contemporary approaches to live computer music, and the impact they have on the...
Approaches to electronic music are divided between the computational and perceptual. Computational a...
The Internet is an ideal platform for most forms of musicking (Small, 1998): it is now used extensiv...
Phonetic symbols describe movements of the vocal tract, tongue and lips, and are combined into compl...
In the history of Western musical thought, the intelligibility as well as the expressive powers of m...
The digital age is continuously redefining the bounds of interaction. This has never been more appar...
How can we provide interfaces to synthesis algorithms thatwill allow us to manipulate timbre directl...
The thesis deals with the issues of timbre which has been for a long time neglected by music theory ...
Phonetic symbols describe movements of the vocal tract,tongue and lips, and are combined into comple...
There are strong musical motivations for current efforts to transfer the human concepts underlying m...
Computer music is that in which computers mediate some or all part(s) of the creative process. Compu...
International audienceExploring the many surprising facets of timbre through sound manipulations has...
cote interne IRCAM: McAdams99aNone / NoneNational audienceSeveral approaches to the role of timbre p...
The Oxford Handbook of Computer Music offers a state-of-the-art cross-section of the most field-defi...
Technology influences all art, and therefore all music, including composition, performance and liste...
This thesis examines contemporary approaches to live computer music, and the impact they have on the...
Approaches to electronic music are divided between the computational and perceptual. Computational a...
The Internet is an ideal platform for most forms of musicking (Small, 1998): it is now used extensiv...
Phonetic symbols describe movements of the vocal tract, tongue and lips, and are combined into compl...
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