From the 1920s on, popular music in Southeast Asia was a mass-audience phenomenon that drew new connections between indigenous musical styles and contemporary genres from elsewhere to create new, hybrid forms. This book presents a cultural history of modern Southeast Asia from the vantage point of popular music, considering not just singers and musicians but their fans as well, showing how the music was intrinsically bound up with modern life and the societal changes that came with it. Reaching new audiences across national borders, popular music of the period helped push social change, and at times served as a medium for expressions of social or political discontent
Tis chapter provides a critical overview of the birth and development of Iban popular music in Sara...
The Iban make up one third of the Sarawakian population and are the largest indigenous ethnic group ...
As part of its modernization project, the postcolonial Singapore state has systematically marginaliz...
From the 1920s on, popular music in Southeast Asia was a mass-audience phenomenon that drew new conn...
From the 1920s on, popular music in Southeast Asia was a mass-audience phenomenon that drew new conn...
'Popular Music in Southeast Asia: Banal Beats, Muted Histories' offers a cultural history of modern ...
In the second half of the 19th and in the beginning of the 20th century, the Asia Pacific region was...
This thesis provides an in-depth study of the history of Iban popular music (1950s–1970s) by analyzi...
As commodity, performance, and sonic intervention in social space, popular music is a ubiquitous pre...
This book examines popular culture in Indonesia, the world’s most popu-lous Muslim nation, and the t...
Previous studies on Indonesian music focused on cultural heritage and traditional preservation or ...
Sonic Modernities analyses the interplay between the production of popular music, shifting ideas of ...
Popular music, as it is generally defined in its commercial existence, originated in the West and ha...
Popular music, as it is generally defined in its commercial existence, originated in the West and ha...
The Iban make up one third of the Sarawakian population and are the largest indigenous ethnic group ...
Tis chapter provides a critical overview of the birth and development of Iban popular music in Sara...
The Iban make up one third of the Sarawakian population and are the largest indigenous ethnic group ...
As part of its modernization project, the postcolonial Singapore state has systematically marginaliz...
From the 1920s on, popular music in Southeast Asia was a mass-audience phenomenon that drew new conn...
From the 1920s on, popular music in Southeast Asia was a mass-audience phenomenon that drew new conn...
'Popular Music in Southeast Asia: Banal Beats, Muted Histories' offers a cultural history of modern ...
In the second half of the 19th and in the beginning of the 20th century, the Asia Pacific region was...
This thesis provides an in-depth study of the history of Iban popular music (1950s–1970s) by analyzi...
As commodity, performance, and sonic intervention in social space, popular music is a ubiquitous pre...
This book examines popular culture in Indonesia, the world’s most popu-lous Muslim nation, and the t...
Previous studies on Indonesian music focused on cultural heritage and traditional preservation or ...
Sonic Modernities analyses the interplay between the production of popular music, shifting ideas of ...
Popular music, as it is generally defined in its commercial existence, originated in the West and ha...
Popular music, as it is generally defined in its commercial existence, originated in the West and ha...
The Iban make up one third of the Sarawakian population and are the largest indigenous ethnic group ...
Tis chapter provides a critical overview of the birth and development of Iban popular music in Sara...
The Iban make up one third of the Sarawakian population and are the largest indigenous ethnic group ...
As part of its modernization project, the postcolonial Singapore state has systematically marginaliz...