Carnival Texts comprises three related dramatic works, all of which have as their point of departure Russian theorist Mikhail Bakhtin’s concept of carnival, a literary style designed to subvert dominant assumptions through chaos and humour. Making creative use of post-Brechtian performance theory, these texts blur the distinction between spectator and performer in a fascinating exploration of physical, moral, and cultural upheaval in a postmodern age. Performance theory is crucial to understanding how performance affects collective understanding, and this book will be of interest to a broad range of students of drama and theatre
This thesis makes a case for Mikhail Bakhtin (1895-1975) as a critic of drama. It uses Bakhtin’s n...
It is on the tradition of the postmodern and magical realist texts to be in the business of liberati...
I propose to take the grotesque, both as a discursive genre and a cultural attitude and practice, as...
Carnival Texts comprises three related dramatic works, all of which have as their point of departure...
The role that Mikhail Bakhtin’s book on Rabelais, and the carnival theme more generally, plays in Ba...
Concepts that were propounded by the Russian contemplator Mikhael Bakhtin based on his literature r...
According to the theory of Mikhail Bakhtin, the carnival of the Middle Ages and Renaissance played a...
The aim of the article is to reconstruct the concept of carnival, which lies at the heart of Yu. And...
The following article is an autoethnographic reading of carnival as an inter-cultural and interperso...
This thesis examines the nature of Carnival in relation to power and sexuality, two important aspect...
The Master’s thesis ‘The Cases of Dramatic Text Performativity’ examines dramatic texts of three pla...
Does the phenomenon of carnivalesque challenge hegemony and inspire social change? Mikhail Bakhtin c...
The paper offers an analysis of Bahtin's concept of the carnival, which in his view has its own logi...
The world of literature responds to the “spirit of carnival” in ways that are both social and cultur...
This thesis sets itself the double task of analysing the chosen dramatic texts through Bakhtin's the...
This thesis makes a case for Mikhail Bakhtin (1895-1975) as a critic of drama. It uses Bakhtin’s n...
It is on the tradition of the postmodern and magical realist texts to be in the business of liberati...
I propose to take the grotesque, both as a discursive genre and a cultural attitude and practice, as...
Carnival Texts comprises three related dramatic works, all of which have as their point of departure...
The role that Mikhail Bakhtin’s book on Rabelais, and the carnival theme more generally, plays in Ba...
Concepts that were propounded by the Russian contemplator Mikhael Bakhtin based on his literature r...
According to the theory of Mikhail Bakhtin, the carnival of the Middle Ages and Renaissance played a...
The aim of the article is to reconstruct the concept of carnival, which lies at the heart of Yu. And...
The following article is an autoethnographic reading of carnival as an inter-cultural and interperso...
This thesis examines the nature of Carnival in relation to power and sexuality, two important aspect...
The Master’s thesis ‘The Cases of Dramatic Text Performativity’ examines dramatic texts of three pla...
Does the phenomenon of carnivalesque challenge hegemony and inspire social change? Mikhail Bakhtin c...
The paper offers an analysis of Bahtin's concept of the carnival, which in his view has its own logi...
The world of literature responds to the “spirit of carnival” in ways that are both social and cultur...
This thesis sets itself the double task of analysing the chosen dramatic texts through Bakhtin's the...
This thesis makes a case for Mikhail Bakhtin (1895-1975) as a critic of drama. It uses Bakhtin’s n...
It is on the tradition of the postmodern and magical realist texts to be in the business of liberati...
I propose to take the grotesque, both as a discursive genre and a cultural attitude and practice, as...