This essay offers a twofold exploration of the art of epitaph in Charles Dickens’s writing. First, it considers the memorial inscriptions that Dickens wrote for friends and family members in light of contemporary debates about epitaph’s proper form and function, nuancing understanding of the author’s epitaphic aesthetic. Second, it examines the creative potential of epitaph in Dickens’s fiction, by tracing the migration of epitaphic text from actual to fictional inscriptions and between paper and stone. In doing so, it argues that for Dickens the art of epitaph is fundamentally carnivalesque, as a supposedly succinct form of death writing generates extended texts and paratexts, new stories, and fresh associations
My thesis charts a history of the chapter epigraph through the eighteenth-century periodical, and th...
This article brings a creative-critical approach to bear on my long, and evolving, relationship with...
The paper proposes to approach the issue of literary realism through the prism of archive art, i.e. ...
Dickens was fascinated with the material culture of the nineteenth century — with things, and the wa...
This thesis explores the presence and effect of nineteenth-century aspects of death in David Copper...
Dickens was fascinated with the material culture of the nineteenth century — with things, and the wa...
This article discusses Dickens’s poetisation of Little Nell’s funeral with the aim of showing the wh...
This thesis examines the work of Charles Dickens and Wilkie Collins in order to explicate the ways i...
How do you commemorate the anniversary of an author’s death? What is and is not appropriate? While n...
This essay argues that Charles Dickens's “larger than life” characters were critically shaped by the...
In 1925, the Dickens Fellowship founded the ‘Dickens House Museum’ at Number 48 Doughty Street, Lond...
Epitaphs record a person’s death, a life that was. Literary epitaphs of the later fifteenth and earl...
Since his death in 1870, Dickens’s popularity has been sustained most obviously by the ubiquity of h...
This essay looks not at Dickens the novelist, but Dickens the reporter, the reviewer, the journalist...
On an autumn day in 1842, William Hone lay dying. He was by now an obscure figure, but through the s...
My thesis charts a history of the chapter epigraph through the eighteenth-century periodical, and th...
This article brings a creative-critical approach to bear on my long, and evolving, relationship with...
The paper proposes to approach the issue of literary realism through the prism of archive art, i.e. ...
Dickens was fascinated with the material culture of the nineteenth century — with things, and the wa...
This thesis explores the presence and effect of nineteenth-century aspects of death in David Copper...
Dickens was fascinated with the material culture of the nineteenth century — with things, and the wa...
This article discusses Dickens’s poetisation of Little Nell’s funeral with the aim of showing the wh...
This thesis examines the work of Charles Dickens and Wilkie Collins in order to explicate the ways i...
How do you commemorate the anniversary of an author’s death? What is and is not appropriate? While n...
This essay argues that Charles Dickens's “larger than life” characters were critically shaped by the...
In 1925, the Dickens Fellowship founded the ‘Dickens House Museum’ at Number 48 Doughty Street, Lond...
Epitaphs record a person’s death, a life that was. Literary epitaphs of the later fifteenth and earl...
Since his death in 1870, Dickens’s popularity has been sustained most obviously by the ubiquity of h...
This essay looks not at Dickens the novelist, but Dickens the reporter, the reviewer, the journalist...
On an autumn day in 1842, William Hone lay dying. He was by now an obscure figure, but through the s...
My thesis charts a history of the chapter epigraph through the eighteenth-century periodical, and th...
This article brings a creative-critical approach to bear on my long, and evolving, relationship with...
The paper proposes to approach the issue of literary realism through the prism of archive art, i.e. ...