What could a visual-led approach to the learning and teaching of complex issues look like for a short online synchronous session? Through a playful performance-lecture exploring concepts in diversity, interdisciplinarity and social change entitled What could a neurodiversity-led 2050 look like?, this paper outlines the possibilities of visual-centred approach, using the ubiquitous Microsoft software PowerPoint (or open-sourced equivalents like Google Slides and Prezi). It seeks to contribute to discourses and practices around role of visual approaches in Higher Education (HE) to address ‘difficult’ topics like power and inequality in an engaging manner, and to empower learners as active participants, including those who may be think visuall...
AbstractNowadays, PowerPoint is an educational tool for teaching and delivering materials in classes...
Drawing on a keynote I gave last November to European League of Institutes of the Arts’ Teachers Aca...
In this article, we interrogate notions of power in relation to three participatory visual methods: ...
What could a visual-led approach to the learning and teaching of complex issues look like for a shor...
Teacher-student discourse is increasingly mediated through, by and with information and communicatio...
An important contemporary challenge to the large group lecture in higher education is that it encour...
“Designing active pedagogies” is a 10-credit course delivered as part of the PGCAP/MEd in Academic P...
Images are becoming a primary means of information presentation in the digitized global medi...
How can we reshape power? This session enables us as Art & Design educators to start practising what...
Images are becoming a primary means of information presentation in the digitized global media and di...
Over the past five years, PowerPoint has emerged as a powerful piece of communication technology, ha...
Lecturing in Higher Education is dominated by PowerPoint presentations characterised by text and bul...
The traditional PowerPoint lecture format was enhanced by the ‘flipped classroom’ approach in a teac...
The paper reports on an empirical case study that explores innovative teaching practices in higher e...
Brain science shows us that how we typically use PowerPoint stinks. It suggests that for some, learn...
AbstractNowadays, PowerPoint is an educational tool for teaching and delivering materials in classes...
Drawing on a keynote I gave last November to European League of Institutes of the Arts’ Teachers Aca...
In this article, we interrogate notions of power in relation to three participatory visual methods: ...
What could a visual-led approach to the learning and teaching of complex issues look like for a shor...
Teacher-student discourse is increasingly mediated through, by and with information and communicatio...
An important contemporary challenge to the large group lecture in higher education is that it encour...
“Designing active pedagogies” is a 10-credit course delivered as part of the PGCAP/MEd in Academic P...
Images are becoming a primary means of information presentation in the digitized global medi...
How can we reshape power? This session enables us as Art & Design educators to start practising what...
Images are becoming a primary means of information presentation in the digitized global media and di...
Over the past five years, PowerPoint has emerged as a powerful piece of communication technology, ha...
Lecturing in Higher Education is dominated by PowerPoint presentations characterised by text and bul...
The traditional PowerPoint lecture format was enhanced by the ‘flipped classroom’ approach in a teac...
The paper reports on an empirical case study that explores innovative teaching practices in higher e...
Brain science shows us that how we typically use PowerPoint stinks. It suggests that for some, learn...
AbstractNowadays, PowerPoint is an educational tool for teaching and delivering materials in classes...
Drawing on a keynote I gave last November to European League of Institutes of the Arts’ Teachers Aca...
In this article, we interrogate notions of power in relation to three participatory visual methods: ...