Pricing copyrighted works or assets so that creators are fairly compensated, while users can benefit from the digital economy given the information good character of such works has always been a difficult task. Doing it in the digital era is even more challenging. Striking that balance and determining the proper royalty level and the efficient rate base require that the competitive market value of such copyright in musical works and sound recordings be ascertained. I review some of the challenges and pitfalls in adequately framing the issues, and review an approach to infer the competitive market value of music in commercial terrestrial/Hertzian radio, satellite radio and interactive music streaming services from choices of operators in tho...
The intervention of digital service providers (DSPs) or platforms, such as Spotify Apple Music and T...
The economic importance of copyright industries in developed market economies has been well document...
The paper argues that the paradigmatic shift from the sale of printed music to exploiting and managi...
Pricing copyrighted works or assets so that creators are fairly compensated, while users can benefit...
Pricing copyrighted works or assets so that creators are fairly compensated, while users can benefit...
Pricing copyrighted works or assets has always been a difficult task given the information good char...
The system for licensing music in the United States for public performances through radio, televisio...
Nous proposons dans cet article une méthode permettant d'inférer, du comportement et des choix des d...
The need for better informed copyright policy and management is a huge problem because of the enormo...
The economic importance of copyright industries in developed market economies has been well document...
This Note analyzes a global music industry problem known as the value gap. The value gap represents ...
The copyright industries — such as music, film, software and publishing — occupy a significant and g...
Digital technologies, particularly the Internet, have had profound effects on the way the business o...
This paper discusses copyright compensation systems (CCS) -- that provide licenses for downloading a...
Price control can restore efficiency in some cases, but an uncarefully designed policy fails to rest...
The intervention of digital service providers (DSPs) or platforms, such as Spotify Apple Music and T...
The economic importance of copyright industries in developed market economies has been well document...
The paper argues that the paradigmatic shift from the sale of printed music to exploiting and managi...
Pricing copyrighted works or assets so that creators are fairly compensated, while users can benefit...
Pricing copyrighted works or assets so that creators are fairly compensated, while users can benefit...
Pricing copyrighted works or assets has always been a difficult task given the information good char...
The system for licensing music in the United States for public performances through radio, televisio...
Nous proposons dans cet article une méthode permettant d'inférer, du comportement et des choix des d...
The need for better informed copyright policy and management is a huge problem because of the enormo...
The economic importance of copyright industries in developed market economies has been well document...
This Note analyzes a global music industry problem known as the value gap. The value gap represents ...
The copyright industries — such as music, film, software and publishing — occupy a significant and g...
Digital technologies, particularly the Internet, have had profound effects on the way the business o...
This paper discusses copyright compensation systems (CCS) -- that provide licenses for downloading a...
Price control can restore efficiency in some cases, but an uncarefully designed policy fails to rest...
The intervention of digital service providers (DSPs) or platforms, such as Spotify Apple Music and T...
The economic importance of copyright industries in developed market economies has been well document...
The paper argues that the paradigmatic shift from the sale of printed music to exploiting and managi...