P.S. Krøyer’s late and most popular paintings have proven very difficult to preserve, and as zinc white has been known to cause structural problems in paintings, the authors investigate if the damage seen in the late paintings can be related to the use of this relatively new pigment. Eight paintings were examined and the results suggest that the shift from using one white pigment to another took place between 1884 and 1889. After 1889, only zinc white was found in the analyzed paint layers. However, the results indicate that the recurring damage in Krøyer’s later paintings cannot be explained by the presence of zinc white alon
It is known that oil paintings containing zinc white are subject to rapid degradation. This is cause...
International audienceSmalt is a potash glass with a blue colour given by cobalt, common as an artis...
The historical knowledge inherited from house paint documents and the experimental research on synth...
P.S. Krøyer’s late and most popular paintings have proven very difficult to preserve, and as zinc wh...
Lorsque l’oxyde de zinc est le composant principal d’une préparation à l’huile, sa rigidité et son c...
The privately owned oil painting Composition with Color Planes 4 (1917) by Piet Mondrian (1872–1944)...
Abstract White pigments were abundantly used in 20th century paintings, and relate to several degrad...
One of the causes leading to appearance changes of oil paintings is saponification of basic pigments...
Abstract The long-term programme of technical examination conducted at the National Gallery, London,...
Five paintings dated 1963–1980, by Vietnamese artist Nguyễn Trọng Kiệm (1933–1919) in the Witness Co...
International audienceGreen copper organometallic pigments have been known since Antiquity. Some of ...
Examination of oil paintings by artists from the so-called Danish Golden Age in the first half of th...
The painting Couple with Clouds in their Heads by Salvador Dalí (1936) from the Museum Boijmans van ...
Historical painted works of art have a very complex inner structure. The period painting technique l...
Visual observation of the surface in oil paintings by the so-called Danish Golden Age artists from t...
It is known that oil paintings containing zinc white are subject to rapid degradation. This is cause...
International audienceSmalt is a potash glass with a blue colour given by cobalt, common as an artis...
The historical knowledge inherited from house paint documents and the experimental research on synth...
P.S. Krøyer’s late and most popular paintings have proven very difficult to preserve, and as zinc wh...
Lorsque l’oxyde de zinc est le composant principal d’une préparation à l’huile, sa rigidité et son c...
The privately owned oil painting Composition with Color Planes 4 (1917) by Piet Mondrian (1872–1944)...
Abstract White pigments were abundantly used in 20th century paintings, and relate to several degrad...
One of the causes leading to appearance changes of oil paintings is saponification of basic pigments...
Abstract The long-term programme of technical examination conducted at the National Gallery, London,...
Five paintings dated 1963–1980, by Vietnamese artist Nguyễn Trọng Kiệm (1933–1919) in the Witness Co...
International audienceGreen copper organometallic pigments have been known since Antiquity. Some of ...
Examination of oil paintings by artists from the so-called Danish Golden Age in the first half of th...
The painting Couple with Clouds in their Heads by Salvador Dalí (1936) from the Museum Boijmans van ...
Historical painted works of art have a very complex inner structure. The period painting technique l...
Visual observation of the surface in oil paintings by the so-called Danish Golden Age artists from t...
It is known that oil paintings containing zinc white are subject to rapid degradation. This is cause...
International audienceSmalt is a potash glass with a blue colour given by cobalt, common as an artis...
The historical knowledge inherited from house paint documents and the experimental research on synth...