Seven fragments of atypical proto-majolica from the archaeological site of Siponto (Manfredonia, Foggia) were analysed by chemical and physical methods. All fragments have blue, brown and yellow painted decorations. Raman microscopy and Scanning Electron Microscopy-Energy Dispersed Spectroscopy (SEM-EDS) investigations identified the blue pigment to lapis lazuli. We previously identified this mineral in the blue coloration of the tin-lead glaze of proto-majolica finds at other Medieval sites in Apulia (Castel Fiorentino and Lucera). The discovery of the fragments from Siponto, in spite of their peculiar technological-decorative features, proves that the use of lapis lazuli as a ceramic pigment was not an isolated occurrence, but was quite c...
Our study of lapis lazuli throughout the term integrated art and science. Lapis lazuli is a brillian...
One of the most impressive Sicilian pottery production is attributed to the so-called Pittore di Lip...
Late Apulian red figured pottery [1] from Egnatia (Fasano, Brindisi, ITALY) was studied in order to...
Seven fragments of atypical proto-majolica from the archaeological site of Siponto (Manfredonia, Fog...
Fragments from the archaeological site of Castel Fiorentino (Foggia, Italy) were analysed by Raman m...
The blue color of glass and ceramic glazes produced in Apulia and Basilicata (Southern Italy) betwee...
The research has lead to the first identification of lapis lazuli in a blue pigment pottery glazed i...
The founding of lapis lazuli to give blue colour to glass and glazes is more and more coming out fro...
Raman spectroscopy and X-Ray Powder Diffraction were applied in order to characterize the materials ...
Abstract Glazed pottery with ‘‘negative decoration’’ samples, dating back to the twelfth to thirtee...
In this paper, we propose an analytical methodology for attributing provenance to natural lapis lazu...
A red pigment was often used for decorating the surface of different style classes of pottery during...
A collection of ceramics from the Middle Ages found in Altilia and Terravecchia (the Saepinum area, ...
A group of 51 shards of medieval polychrome glazed pottery, coming from Canosa castle archaeological...
In this paper, we propose an analytical methodology for attributing provenance to natural lapis lazu...
Our study of lapis lazuli throughout the term integrated art and science. Lapis lazuli is a brillian...
One of the most impressive Sicilian pottery production is attributed to the so-called Pittore di Lip...
Late Apulian red figured pottery [1] from Egnatia (Fasano, Brindisi, ITALY) was studied in order to...
Seven fragments of atypical proto-majolica from the archaeological site of Siponto (Manfredonia, Fog...
Fragments from the archaeological site of Castel Fiorentino (Foggia, Italy) were analysed by Raman m...
The blue color of glass and ceramic glazes produced in Apulia and Basilicata (Southern Italy) betwee...
The research has lead to the first identification of lapis lazuli in a blue pigment pottery glazed i...
The founding of lapis lazuli to give blue colour to glass and glazes is more and more coming out fro...
Raman spectroscopy and X-Ray Powder Diffraction were applied in order to characterize the materials ...
Abstract Glazed pottery with ‘‘negative decoration’’ samples, dating back to the twelfth to thirtee...
In this paper, we propose an analytical methodology for attributing provenance to natural lapis lazu...
A red pigment was often used for decorating the surface of different style classes of pottery during...
A collection of ceramics from the Middle Ages found in Altilia and Terravecchia (the Saepinum area, ...
A group of 51 shards of medieval polychrome glazed pottery, coming from Canosa castle archaeological...
In this paper, we propose an analytical methodology for attributing provenance to natural lapis lazu...
Our study of lapis lazuli throughout the term integrated art and science. Lapis lazuli is a brillian...
One of the most impressive Sicilian pottery production is attributed to the so-called Pittore di Lip...
Late Apulian red figured pottery [1] from Egnatia (Fasano, Brindisi, ITALY) was studied in order to...