In the wake of August von Schlegel's Vorlesungen über dramatische Kunst und Literatur, many scholars consider that Euripides' Helen crosses the boundaries of tragedy to enter the world of comedy. Instead, the dialogue between Menelaus and the old custodian of Proteus' palace (435-455) shows how Euripides succeeds in integrating without fractures comic stock-in-trade as the door-knocking scen
A partire da alcune riflessioni sulla caratterizzazione e sul realismo nei drammi di Euripide, l’art...
New edition with commentary of Satyrus, V.Eur. P.Oxy. 1167, fr. 39, col. VII. Satyrus does not antic...
Il presente contributo esamina l’universo di Euripide al cui centro ci sono personaggi che decidono ...
In his hundredth revival of the 'king in rags', in Helen, Euripides seems to emphasise the particula...
Tragedy, “Realism of Everyday life”, and Comedy. Euripides, Orestes, 71-131 in Ancient and Modern Cr...
この論文は国立情報学研究所の学術雑誌公開支援事業により電子化されました。Euripides the tragedian is often called the inventor of European...
Uno degli aspetti più discussi della poetica di Aristofane è la cospicua presenza di elementi propri...
ABSTRACT. Ancient Attic theatre is technically limited and, therefore, it is a type of theatre based...
In Euripides' tragedy, in the recognition of Helen, Menelaus runs through the same stages of the pat...
The presence of double structures and mirror-scenes in Euripides’ Helen has generally been viewed by...
Discussion of the relationship between historical conditions and aesthetic form in Euripidean traged...
Since Aristophanes and Aristotle up to Romanticism, critics have always been praising the harmony of...
The scene between Pheretes and Admetus in Euripides' Alcestis is to be considered as a dramatic real...
Le Rane : Collana di Studi e Testi. Studi ; 55 - El teatro clásico en el marco de la cultura griega ...
Poseidon and Athena are the two divine figures who appear in the Trojan Women’s prologue; they could...
A partire da alcune riflessioni sulla caratterizzazione e sul realismo nei drammi di Euripide, l’art...
New edition with commentary of Satyrus, V.Eur. P.Oxy. 1167, fr. 39, col. VII. Satyrus does not antic...
Il presente contributo esamina l’universo di Euripide al cui centro ci sono personaggi che decidono ...
In his hundredth revival of the 'king in rags', in Helen, Euripides seems to emphasise the particula...
Tragedy, “Realism of Everyday life”, and Comedy. Euripides, Orestes, 71-131 in Ancient and Modern Cr...
この論文は国立情報学研究所の学術雑誌公開支援事業により電子化されました。Euripides the tragedian is often called the inventor of European...
Uno degli aspetti più discussi della poetica di Aristofane è la cospicua presenza di elementi propri...
ABSTRACT. Ancient Attic theatre is technically limited and, therefore, it is a type of theatre based...
In Euripides' tragedy, in the recognition of Helen, Menelaus runs through the same stages of the pat...
The presence of double structures and mirror-scenes in Euripides’ Helen has generally been viewed by...
Discussion of the relationship between historical conditions and aesthetic form in Euripidean traged...
Since Aristophanes and Aristotle up to Romanticism, critics have always been praising the harmony of...
The scene between Pheretes and Admetus in Euripides' Alcestis is to be considered as a dramatic real...
Le Rane : Collana di Studi e Testi. Studi ; 55 - El teatro clásico en el marco de la cultura griega ...
Poseidon and Athena are the two divine figures who appear in the Trojan Women’s prologue; they could...
A partire da alcune riflessioni sulla caratterizzazione e sul realismo nei drammi di Euripide, l’art...
New edition with commentary of Satyrus, V.Eur. P.Oxy. 1167, fr. 39, col. VII. Satyrus does not antic...
Il presente contributo esamina l’universo di Euripide al cui centro ci sono personaggi che decidono ...