Add to ORKGRoslynn explores the disparity betweeen versions of Tasmanian landscapes in colonial fiction and colonial art and how they have evolved in Tasmania over 200 years
The project is an investigation of the historical and contemporary context of art making as a tool f...
This studio-based research explores how painting can act as a vehicle for my reflections on the...
Tony Bellette examines contemporary aboriginal art of the desert, from it's origins at Papunya to it...
The project was a site-specific exploration of the Northern Midlands agricultural property of Oakden...
This work is constructed from a conglomerate of materials and forms that have shaped me. A forests o...
© 2010 Gregory Mark AdesMy research investigates how landscape can be interpreted within a contempor...
The purpose of this thesis is to advance knowledge of the significance of nineteenth century natural...
Painterly depictions of landscapes are redolent of an artist's vision and entwine topographical feat...
This project investigates modes of representing the experience of a historically informed experience...
Since their original settlement, European Tasmanians have dramatically transformed the landscape. Th...
South Australia colonial art has been largely overlooked in the context of the history of the art of...
Landscape : some interpretations Catalogue of an exhibition held October 26-November 14, 1981 at th...
This paper will detail the conception of landscapes that consume, breathe and reproduce - visually a...
This lecture is a series of personal reflections about contemporary art practice in Tasmania and the...
Marie Sierra will be speaking about her recent work, with a bit of background on the development of ...
The project is an investigation of the historical and contemporary context of art making as a tool f...
This studio-based research explores how painting can act as a vehicle for my reflections on the...
Tony Bellette examines contemporary aboriginal art of the desert, from it's origins at Papunya to it...
The project was a site-specific exploration of the Northern Midlands agricultural property of Oakden...
This work is constructed from a conglomerate of materials and forms that have shaped me. A forests o...
© 2010 Gregory Mark AdesMy research investigates how landscape can be interpreted within a contempor...
The purpose of this thesis is to advance knowledge of the significance of nineteenth century natural...
Painterly depictions of landscapes are redolent of an artist's vision and entwine topographical feat...
This project investigates modes of representing the experience of a historically informed experience...
Since their original settlement, European Tasmanians have dramatically transformed the landscape. Th...
South Australia colonial art has been largely overlooked in the context of the history of the art of...
Landscape : some interpretations Catalogue of an exhibition held October 26-November 14, 1981 at th...
This paper will detail the conception of landscapes that consume, breathe and reproduce - visually a...
This lecture is a series of personal reflections about contemporary art practice in Tasmania and the...
Marie Sierra will be speaking about her recent work, with a bit of background on the development of ...
The project is an investigation of the historical and contemporary context of art making as a tool f...
This studio-based research explores how painting can act as a vehicle for my reflections on the...
Tony Bellette examines contemporary aboriginal art of the desert, from it's origins at Papunya to it...