Opening a discussion about digital voices in contemporary spaces and popular music in two parts: 1) An essay that traces discourses of disembodiment and the rise in prominence of digital voices in electronic music, enumerates the ways in which they are enacting physical change via examples like the virtual star Hatsune Miku, and situates their arrival within an emerging trend to materialize digital forms and blue the line between physical and digital creation. 2) An audio project for which I employed pop, experimental, and electronic music techniques in order to create a science fiction-inspired narrative featuring as the central instrument digital voices
An analysis on how electronic sound technology has altered the roles of the composer and the vocalis...
The digital turn has created new opportunities for scholars across disciplines to use sound in their...
Diamond suggests that the works made specifically for this exhibition–an audiovisual installation by...
This dissertation theorizes the aesthetic and ethical potential of digital voice as a material for c...
This article investigates the role of the voice in computer music. One of the overarching themes of ...
This chapter investigates digital technologies that variously assist, enable or simulate musical pra...
This paper unpacks the relationships between the human voice and sound technologies by re-reading an...
Singing the Body Electric explores the relationship between the human voice and technology, offering...
Thesis: S.M. in Comparative Media Studies, Massachusetts Institute of Technology, Department of Huma...
The article suggests that the non-destructive editing features of the Digital Audio Workstation (DAW...
In this article, I present a critical comparative reading of the experiences of gender promoted by m...
The article deals with interrelations of voice, body and technology in popular music from a musicolo...
Voice is a powerful tool of agency – for humans and non-humansalike. In this article, we go through ...
This essay aims to discuss the various ways that virtual idols have transformed music production, co...
Voice is a powerful tool of agency – for humans and non-humans alike. In this article, we go through...
An analysis on how electronic sound technology has altered the roles of the composer and the vocalis...
The digital turn has created new opportunities for scholars across disciplines to use sound in their...
Diamond suggests that the works made specifically for this exhibition–an audiovisual installation by...
This dissertation theorizes the aesthetic and ethical potential of digital voice as a material for c...
This article investigates the role of the voice in computer music. One of the overarching themes of ...
This chapter investigates digital technologies that variously assist, enable or simulate musical pra...
This paper unpacks the relationships between the human voice and sound technologies by re-reading an...
Singing the Body Electric explores the relationship between the human voice and technology, offering...
Thesis: S.M. in Comparative Media Studies, Massachusetts Institute of Technology, Department of Huma...
The article suggests that the non-destructive editing features of the Digital Audio Workstation (DAW...
In this article, I present a critical comparative reading of the experiences of gender promoted by m...
The article deals with interrelations of voice, body and technology in popular music from a musicolo...
Voice is a powerful tool of agency – for humans and non-humansalike. In this article, we go through ...
This essay aims to discuss the various ways that virtual idols have transformed music production, co...
Voice is a powerful tool of agency – for humans and non-humans alike. In this article, we go through...
An analysis on how electronic sound technology has altered the roles of the composer and the vocalis...
The digital turn has created new opportunities for scholars across disciplines to use sound in their...
Diamond suggests that the works made specifically for this exhibition–an audiovisual installation by...