Summer Refectory of the Pauline Monastery in Lepoglava – Creation, Destruction and Retrieval

U članku se obrađuje kronologija nastanka i sudbina prostorije ljetnog refektorija u nekadašnjem pavlinskom samostanu u Lepoglavi. Refektorij je formiran kao najveća samostanska prostorija prilikom izgradnje zapadnog krila u 17. stoljeću, a u 18. stoljeću je bogato opremljen zidnim slikama i štukaturom. Prenamjenom samostana u kaznionicu u 19. stoljeću počinje njegova dugogodišnja degradacija, ponajprije korištenjem u neprimjerene kaznioničke svrhe, a osobito rušenjem svoda u potresu 1880. godine. U to se doba također uočavaju prva nastojanja za njegovo očuvanje, u smislu dokumentiranja, istraživanja i valorizacije, u čemu se ističe djelovanje Ivana Kukuljevića Sakcinskog i Izidora Kršnjavog te osobito slikarski rad Ferdinanda Quiquereza koji je izradio kopiju cijele dekoracije refektorija na kartonima u akvarelu. Refektorij, nadalje, teško stradava u Drugom svjetskom ratu, kad zbog rušenja gornjih etaža zapadnog krila samostana nekoliko godina ostaje nenatkriven. Do početka ovog stoljeća držalo se da ništa od nekadašnje dekorativne opreme refektorija nije sačuvano, međutim, konzervatorskim istraživanjima pronađeni su naslikani medaljoni s likovima pavlinskih dobrotvora na istočnom zidu, naslikane lunete na sjevernom i južnom zidu, kao i zazidana grota sa štuko kipovima. U članku se, osim rezultata konzervatorskih istraživanja, analiziraju i smjernice za obnovu.The paper aims to analyze the history of the creation and later developments of the summer refectory in the Pauline monastery in Lepoglava. The refectory, or a dining room, was the monastery‘s largest room formed by the construction of the west wing in the 17th century, and lavishly decorated with stucco and wall paintings in the 18th century. When the monastery was turned into a prison in the 19th century, it lead to its long–time degradation, first due to its inappropriate use and then due to the collapse of the vault in the earthquake of 1880. This period also saw the earliest efforts for its preservation, in the sense of documenting, researching and artistic evaluation, which we can see in the works of Ivan Kukuljević Sakcinski and Izidor Kršnjavi, and notably in the work of Ferdinand Quiquerez who made an aquarelle drawing of the entire stucco– and wall–painting design of the refectory. Subsequently, the room was badly damaged in World War II when, after the demolition of the upper floors, it was left in the open air. Until the beginnings of the 21st century, the refectory‘s wall decoration was thought to be lost, however, the conservation research has revealed the Pauline benefactors‘ portraits on the walls, painted lunettes and the walled–up grotta with stucco statues. The paper also discusses the research results, as well as the guidelines for the refectory‘s restoration