Why does Hollywood lack originality? Why is Hollywood cinema so repetitive? This presentation will theoretically and empirically explain why Hollywood's so-called risk-aversion is strategic. The decline in risk is a sign of how the major distributors have been able to exercise greater and greater control over the social relations of cinema. This presentation is the third in a four-part Speaker Series on the Capitalist Mode of Power. The series is organized by capitalaspower.com and sponsored by the York Department of Political Science and the Graduate Programme in Social and Political Thought. Video duration: 1:38 hour
Everyone knows that the movie business is risky. But how risky is it? Do strategies exist that reduc...
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The phenomenon of risk has been seriously neglected in connection with the study of film, yet many o...
capitalization cinema Hollywood riskWhy does Hollywood lack originality? Why is Hollywood cinema so ...
Hollywood is obsessed with blockbusters – for 20 years the major studios have been making them, and ...
This paper seeks to explain why Hollywood’s dominant firms are narrowing the scope of creativity in ...
In this article, the structure of Hollywood film distribution will be analyzed through the lens of r...
While many scholarly books and articles devoted to film make passing reference to risk, no attempt h...
This dissertation combines an interest in political economy, political theory and cinema to offer an...
This paper builds an empirical and theoretical model to analyze how the financial goal of risk reduc...
This book explores the complex, multifaceted and contested subject of risk in the film business. How...
This dissertation combines an interest in political economy, political theory and cinema to offer an...
capitalization cinema Hollywood riskThis paper investigates the historical development of risk in th...
The movie industry is typically characterized by high production risk and unpredictable returns. In...
Everyone knows that the movie business is risky. But how risky is it? Do strategies exist that reduc...
Everyone knows that the movie business is risky. But how risky is it? Do strategies exist that reduc...
ABSTRACT This article examines the nature of risk and the limits of risk mitigation in the foreign f...
The phenomenon of risk has been seriously neglected in connection with the study of film, yet many o...
capitalization cinema Hollywood riskWhy does Hollywood lack originality? Why is Hollywood cinema so ...
Hollywood is obsessed with blockbusters – for 20 years the major studios have been making them, and ...
This paper seeks to explain why Hollywood’s dominant firms are narrowing the scope of creativity in ...
In this article, the structure of Hollywood film distribution will be analyzed through the lens of r...
While many scholarly books and articles devoted to film make passing reference to risk, no attempt h...
This dissertation combines an interest in political economy, political theory and cinema to offer an...
This paper builds an empirical and theoretical model to analyze how the financial goal of risk reduc...
This book explores the complex, multifaceted and contested subject of risk in the film business. How...
This dissertation combines an interest in political economy, political theory and cinema to offer an...
capitalization cinema Hollywood riskThis paper investigates the historical development of risk in th...
The movie industry is typically characterized by high production risk and unpredictable returns. In...
Everyone knows that the movie business is risky. But how risky is it? Do strategies exist that reduc...
Everyone knows that the movie business is risky. But how risky is it? Do strategies exist that reduc...
ABSTRACT This article examines the nature of risk and the limits of risk mitigation in the foreign f...
The phenomenon of risk has been seriously neglected in connection with the study of film, yet many o...