This article provides a background for these varying streams of thought and examines their intersection at the debate about what type of music is suitable for women to learn. That women should learn music was not a point of contingency, but how they should learn, what type of music they should study, and what role music would play in their lives were subjects of discussion
The unprecedented emergence of American women as professional composers of art music in the late nin...
Recent decades have seen gender and feminist research emerge as major fields of enquiry in musicolog...
Editorial: Throughout history and since time immemorial, there has been discussion and debate on mus...
Female seminaries in nineteenth-century America offered middle-class women the rare privilege of tra...
During the nineteenth century middle and upper-class women in Nashville and the surrounding region o...
The author investigates the role of music in the United States from the nineteenth century forward, ...
The course of women’s education in the United States changed drastically during the nineteenth centu...
Case studies and action research are used to investigate the music education of girls at key stage 3...
This thesis builds off of an independent study in feminist theory in which a research paper discussi...
When examining the historical origins of music education in the United States there exists a gap in ...
The influx of students from diverse cultural backgrounds and the appearance of music from many diffe...
Recent decades have seen gender and feminist research emerge as major fields of enquiry in musicolog...
Recent decades have seen gender and feminist research emerge as major fields of enquiry in musicolog...
Music is an art that has been enjoyed since almost the beginning of time. This art has carried many ...
Higher-level music education was in a poor state in mid-nineteenth-century Britain. In particular, t...
The unprecedented emergence of American women as professional composers of art music in the late nin...
Recent decades have seen gender and feminist research emerge as major fields of enquiry in musicolog...
Editorial: Throughout history and since time immemorial, there has been discussion and debate on mus...
Female seminaries in nineteenth-century America offered middle-class women the rare privilege of tra...
During the nineteenth century middle and upper-class women in Nashville and the surrounding region o...
The author investigates the role of music in the United States from the nineteenth century forward, ...
The course of women’s education in the United States changed drastically during the nineteenth centu...
Case studies and action research are used to investigate the music education of girls at key stage 3...
This thesis builds off of an independent study in feminist theory in which a research paper discussi...
When examining the historical origins of music education in the United States there exists a gap in ...
The influx of students from diverse cultural backgrounds and the appearance of music from many diffe...
Recent decades have seen gender and feminist research emerge as major fields of enquiry in musicolog...
Recent decades have seen gender and feminist research emerge as major fields of enquiry in musicolog...
Music is an art that has been enjoyed since almost the beginning of time. This art has carried many ...
Higher-level music education was in a poor state in mid-nineteenth-century Britain. In particular, t...
The unprecedented emergence of American women as professional composers of art music in the late nin...
Recent decades have seen gender and feminist research emerge as major fields of enquiry in musicolog...
Editorial: Throughout history and since time immemorial, there has been discussion and debate on mus...