Much critical attention has focused in recent years on the female Bildungsroman, yet a clear definition of this genre has yet to be established. Through the readings of several nineteenth- and twentieth-century English and French novels, I propose an alternative generic category, the novel of female formation. Plot is not the determining criterion for this designation, however, as is often the case for both the Bildungsroman and the female Bildungsroman. Instead, the central structural feature of novels that fall under this rubric is their depiction of the construction of the subjectivity of their female protagonist. They also share several other structural traits, including treatment of the heroine's relation to her (frequently absent) mot...
This thesis focuses on the motifs of courtship and marriage as experienced by the female characters ...
During and shortly after the French Revolution, women in England were writing politically significan...
This dissertation explores the representation of women in love in nineteenth-century British and Ame...
This thesis considers George Sand’s Valentine (1832), Charlotte Brontë’s Jane Eyre (1847), Gustave F...
The period from her first London assembly to her wedding day was the narrow span of autonomy for a m...
This monograph is part of Palgrave Macmillan's Victorian Literature and Culture Series. Its interv...
none2This series is mainly focused on English literature produced in Europe between the 1750s and th...
A Dissertation Submitted to the Faculty of Arts, University of the Witwatersrand, Johannesburg in ...
The sublime has been gendered as male even into the twentieth century. The purpose of this study is ...
Romantic Androgyny is the first study to systematically apply the currents of French and Anglo-Ameri...
This series is mainly focused on English literature produced in Europe between the 1750s and the 183...
Three of the most notable English women authors, Jane Austen, Charlotte Bronte, and George Eliot, ex...
ABSTRACT\ud COMPETITION AND COOPERATION: RELATIONSHIPS BETWEEN\ud WOMEN IN PRIDE AND PREJUDICE, THE ...
Jane Austen and Mary Shelley and Their Sisters is an unprecedented work that provides an in-depth an...
Includes bibliographical references (pages 50-52).This thesis argues that androgyny--a term that has...
This thesis focuses on the motifs of courtship and marriage as experienced by the female characters ...
During and shortly after the French Revolution, women in England were writing politically significan...
This dissertation explores the representation of women in love in nineteenth-century British and Ame...
This thesis considers George Sand’s Valentine (1832), Charlotte Brontë’s Jane Eyre (1847), Gustave F...
The period from her first London assembly to her wedding day was the narrow span of autonomy for a m...
This monograph is part of Palgrave Macmillan's Victorian Literature and Culture Series. Its interv...
none2This series is mainly focused on English literature produced in Europe between the 1750s and th...
A Dissertation Submitted to the Faculty of Arts, University of the Witwatersrand, Johannesburg in ...
The sublime has been gendered as male even into the twentieth century. The purpose of this study is ...
Romantic Androgyny is the first study to systematically apply the currents of French and Anglo-Ameri...
This series is mainly focused on English literature produced in Europe between the 1750s and the 183...
Three of the most notable English women authors, Jane Austen, Charlotte Bronte, and George Eliot, ex...
ABSTRACT\ud COMPETITION AND COOPERATION: RELATIONSHIPS BETWEEN\ud WOMEN IN PRIDE AND PREJUDICE, THE ...
Jane Austen and Mary Shelley and Their Sisters is an unprecedented work that provides an in-depth an...
Includes bibliographical references (pages 50-52).This thesis argues that androgyny--a term that has...
This thesis focuses on the motifs of courtship and marriage as experienced by the female characters ...
During and shortly after the French Revolution, women in England were writing politically significan...
This dissertation explores the representation of women in love in nineteenth-century British and Ame...