Add to ORKGWhy examine Dead Man? Certainly, it is not the best known- or the most accessible- western film, especially if the goal is to examine how social and cultural themes are depicted within the genre (and thus how such themes create an entire system of codes which western mythology is based upon).Though it is not his best known film (Stranger Than Paradise is still the film he is best known for directing), nor is it the film that his fans and critics cite as his best film overall, the one that best captures his style and aesthetic (that honor goes to Down By Law), Dead Man is perhaps the most challenging and fully realized film that Jim Jarmusch has made. It is the least Jarmusch-esque film of his career: an ambitious western that reaches far be...
Down by Law (1986)—like many of Jim Jarmusch’s films—is seen by many viewers to be, at worst, enigma...
A low-budget breakout film that wowed critics and audiences on its initial release, Stranger than Pa...
In this article, I propose a reading of Jim Jarmusch’s Dead Man (1995) in light of Jacques Derrida’s...
Why examine Dead Man? Certainly, it is not the best known- or the most accessible- western film, esp...
Although Jim Jarmusch is one of the most important and critically acclaimed American filmmakers of t...
This senior thesis has two major purposes: One, to investigate and critique how experts characterize...
Jim Jarmusch’s 1995 anti-Western Dead Man, which a number of critics have celebrated as “the best fi...
This thesis looks at ethnographic film using Jim Jarmusch's 1996 Dead Man as a "site." Dead Man's p...
This article focuses on the centrality of the interstice to the underlying form of three of Jim Jarm...
Justus Nieland dans son article « Graphic Violence : Native Americans and the Western Archive in Dea...
I create a dialogue between films credited with reviving the Western film genre in the early 1990’s....
Jim Jarmusch is today considered to be among the most prominent and highly revered of independent Am...
In 1995, American auteur Jim Jarmusch released his experimental western Dead Man. In 1999, Jarmusch ...
Autor prezentuje uniwersalny opis najważniejszych etapów rytuału inicjacyjnego i odnajduje ich odpow...
Jim Jarmusch is an American independent film-maker whose work, despite its relative popularity and...
Down by Law (1986)—like many of Jim Jarmusch’s films—is seen by many viewers to be, at worst, enigma...
A low-budget breakout film that wowed critics and audiences on its initial release, Stranger than Pa...
In this article, I propose a reading of Jim Jarmusch’s Dead Man (1995) in light of Jacques Derrida’s...
Why examine Dead Man? Certainly, it is not the best known- or the most accessible- western film, esp...
Although Jim Jarmusch is one of the most important and critically acclaimed American filmmakers of t...
This senior thesis has two major purposes: One, to investigate and critique how experts characterize...
Jim Jarmusch’s 1995 anti-Western Dead Man, which a number of critics have celebrated as “the best fi...
This thesis looks at ethnographic film using Jim Jarmusch's 1996 Dead Man as a "site." Dead Man's p...
This article focuses on the centrality of the interstice to the underlying form of three of Jim Jarm...
Justus Nieland dans son article « Graphic Violence : Native Americans and the Western Archive in Dea...
I create a dialogue between films credited with reviving the Western film genre in the early 1990’s....
Jim Jarmusch is today considered to be among the most prominent and highly revered of independent Am...
In 1995, American auteur Jim Jarmusch released his experimental western Dead Man. In 1999, Jarmusch ...
Autor prezentuje uniwersalny opis najważniejszych etapów rytuału inicjacyjnego i odnajduje ich odpow...
Jim Jarmusch is an American independent film-maker whose work, despite its relative popularity and...
Down by Law (1986)—like many of Jim Jarmusch’s films—is seen by many viewers to be, at worst, enigma...
A low-budget breakout film that wowed critics and audiences on its initial release, Stranger than Pa...
In this article, I propose a reading of Jim Jarmusch’s Dead Man (1995) in light of Jacques Derrida’s...
