Music is a universal human activity. Its evolution and its value as a cognitive resource are starting to come into focus. This chapter endeavors to give readers a clearer sense of the adaptive aspects of music, as well as the underlying cognitive and neural structures. Special attention is given to the important emotional dimensions of music, and an evolutionary argument is made for thinking of music as a prelinguistic embodied form of cognition—a form that is still available to us as contemporary music creators and consumers
The origin of human musicality is often discussed within a dichotomous nature-or-culture framework. ...
This paper holds an evolutionary approach to musical semantics. Revolving around the nature/nurture ...
Music exists in a variety of forms and is nearly ubiquitous in modern society but the reasons for it...
Music is a universal human activity. Its evolution and its value as a cognitive resource are startin...
Despite evolutionary musicology's interdisciplinary nature, and the diverse methods it employs, the ...
Despite evolutionary musicology's interdisciplinary nature, and the diverse methods it employs, the ...
Music possesses common attributes across cultures which exploit the human capacity to entrain to ext...
An enactive account of musicality that proposes new ways of thinking about musical experience, music...
It is nowadays uncontroversial among scientists that there is biological continuity between humans a...
Cognitive function of music, its origin, and evolution has been a mystery until recently. Here we di...
Music has the capacity to affect humans’ affective, social and cognitive abilities in different ways...
THIS issue, broken into two volumes (Vol. 9, No. 3-4, 2014), offers a unique contribution to contemp...
Examining the intersection of music, psychology, and neuroscience, this text surveys the rapidly gro...
Interdisciplinary perspectives on the capacity to perceive, appreciate, and make music. Research sho...
What was the role of music in the evolutionary history of human beings? We address this question fro...
The origin of human musicality is often discussed within a dichotomous nature-or-culture framework. ...
This paper holds an evolutionary approach to musical semantics. Revolving around the nature/nurture ...
Music exists in a variety of forms and is nearly ubiquitous in modern society but the reasons for it...
Music is a universal human activity. Its evolution and its value as a cognitive resource are startin...
Despite evolutionary musicology's interdisciplinary nature, and the diverse methods it employs, the ...
Despite evolutionary musicology's interdisciplinary nature, and the diverse methods it employs, the ...
Music possesses common attributes across cultures which exploit the human capacity to entrain to ext...
An enactive account of musicality that proposes new ways of thinking about musical experience, music...
It is nowadays uncontroversial among scientists that there is biological continuity between humans a...
Cognitive function of music, its origin, and evolution has been a mystery until recently. Here we di...
Music has the capacity to affect humans’ affective, social and cognitive abilities in different ways...
THIS issue, broken into two volumes (Vol. 9, No. 3-4, 2014), offers a unique contribution to contemp...
Examining the intersection of music, psychology, and neuroscience, this text surveys the rapidly gro...
Interdisciplinary perspectives on the capacity to perceive, appreciate, and make music. Research sho...
What was the role of music in the evolutionary history of human beings? We address this question fro...
The origin of human musicality is often discussed within a dichotomous nature-or-culture framework. ...
This paper holds an evolutionary approach to musical semantics. Revolving around the nature/nurture ...
Music exists in a variety of forms and is nearly ubiquitous in modern society but the reasons for it...