My mixed-media artwork from my residency at Margate Museum explored the materiality of language in T.S. Eliot’s The Waste Land in a site-responsive intervention. Juxtaposing the biographical, the fictive and the Museum itself - once a town hall, a police station, and magistrate’s court - the work was a form of scenario which re-considered tensions between memory and absence. While the focus of The Journeys with the Wasteland project was T.S. Eliot himself, my own project reversed the hierarchy to consider Vivienne Eliot and by extension issues around exclusion and counter histories
Invited 1200-word review of Ruth Singer's travelling exhibition at Gunnersbury Park Museum, 2019
This thesis explores the ways in which the meanings of site art are inscribed by different audiences...
The output is a series of artefacts comprising small scale smoke stencil drawings, produced specifi...
In 1921 the poet T.S. Eliot spent a few weeks in Margate at a crucial moment in his career. He arriv...
This paper revolves on the carceral practices of Morton Hall IRC (Immigration Removal Centre) and of...
London’s Holloway Prison, the largest women’s prison in western Europe, closed in 2016. The impact o...
'A Journey with ‘The Waste Land’' is a new project by Turner Contemporary in Margate. Members of th...
This PHD project has been based on 100% studio practice; the original title for the research program...
In July 2021, Susan Morris invited me to her home and studio in London to talk about her work. She s...
British artist Edmund Clark is Ikon’s artist-in-residence (2014–2018) at Europe’s only entirely ther...
This day long event at the Henry Moore Institute, Leeds, was centred around a question set by Mike T...
23 September - 2 October 2016Duo exhibition - After projects present a ten-day exhibition by artists...
This thesis examines the relationship between prisons, their aesthetics and those that live around t...
Let us begin with a single image: Harou-Romain’s Plan for a penitentiary, 1840. If the reader is unf...
An exhibition brought to Exeter Phoenix by Art Week Exeter in collaboration with well known art hist...
Invited 1200-word review of Ruth Singer's travelling exhibition at Gunnersbury Park Museum, 2019
This thesis explores the ways in which the meanings of site art are inscribed by different audiences...
The output is a series of artefacts comprising small scale smoke stencil drawings, produced specifi...
In 1921 the poet T.S. Eliot spent a few weeks in Margate at a crucial moment in his career. He arriv...
This paper revolves on the carceral practices of Morton Hall IRC (Immigration Removal Centre) and of...
London’s Holloway Prison, the largest women’s prison in western Europe, closed in 2016. The impact o...
'A Journey with ‘The Waste Land’' is a new project by Turner Contemporary in Margate. Members of th...
This PHD project has been based on 100% studio practice; the original title for the research program...
In July 2021, Susan Morris invited me to her home and studio in London to talk about her work. She s...
British artist Edmund Clark is Ikon’s artist-in-residence (2014–2018) at Europe’s only entirely ther...
This day long event at the Henry Moore Institute, Leeds, was centred around a question set by Mike T...
23 September - 2 October 2016Duo exhibition - After projects present a ten-day exhibition by artists...
This thesis examines the relationship between prisons, their aesthetics and those that live around t...
Let us begin with a single image: Harou-Romain’s Plan for a penitentiary, 1840. If the reader is unf...
An exhibition brought to Exeter Phoenix by Art Week Exeter in collaboration with well known art hist...
Invited 1200-word review of Ruth Singer's travelling exhibition at Gunnersbury Park Museum, 2019
This thesis explores the ways in which the meanings of site art are inscribed by different audiences...
The output is a series of artefacts comprising small scale smoke stencil drawings, produced specifi...