Add to ORKGPerformance of Light Dial 3 with Collectress. Part of collaboration with Rambert Dance Company and choreographer Miguel Altunaga. The third evolution of the Light Dial collaboration was performed at the Leaf Hall in Eastbourne. This is an associate venue for Devonshire Collective. A new score was created by Collectress and the performance changed to suit the location. We used 4 overhead projectors to provide visuals created by us and the capacity audience in response to various questions or tasks, combining our images created for the making of the costumes with the audiences’ work
Generative soundscape presented by Didymus Sound System. Audio exploration of wave forms using gene...
Generative soundscape presented by Didymus Sound System. Audio exploration of wave forms using gene...
When does a drawing turn into a performance? Is the act of drawing in itself a performative process,...
One of the objectives of the project was to explore how collaborative practices could be used to pro...
Two performances on consecutive nights that evolved from improvisational workshops at Queen Mary Uni...
Invited to lead a two day workshop ‘Poetry and Movement’ project for Film and Animation BA and MA st...
The sculpture looks like a long wooden hut on thin legs, with small openings along the side and roof...
'Light Dial 1' was part of the 'Rambert New Choreography Platform 2016' and was an exploration of t...
In 2007 I created The Smoking Suffragettes, a performance inspired by a publicity stunt intended to ...
Although the technologies used in contemporary expanded animation are digital, this kind of work bui...
We were asked to put on an exhibition at the DC1 Gallery to complement the performance of Light Dial...
Exhibition curated by Jim Walker celebrating the work of Bob Godfrey, a pivotal figure in British an...
This work uses a set of parameters to enable the 'robots' to draw within a space and timeframe. A se...
In a period of ever increasing modes of capturing, documenting, commenting on contemporary life, soc...
A vocal improvisation with guitar, where the vocie and guitar respond to one another
Generative soundscape presented by Didymus Sound System. Audio exploration of wave forms using gene...
Generative soundscape presented by Didymus Sound System. Audio exploration of wave forms using gene...
When does a drawing turn into a performance? Is the act of drawing in itself a performative process,...
One of the objectives of the project was to explore how collaborative practices could be used to pro...
Two performances on consecutive nights that evolved from improvisational workshops at Queen Mary Uni...
Invited to lead a two day workshop ‘Poetry and Movement’ project for Film and Animation BA and MA st...
The sculpture looks like a long wooden hut on thin legs, with small openings along the side and roof...
'Light Dial 1' was part of the 'Rambert New Choreography Platform 2016' and was an exploration of t...
In 2007 I created The Smoking Suffragettes, a performance inspired by a publicity stunt intended to ...
Although the technologies used in contemporary expanded animation are digital, this kind of work bui...
We were asked to put on an exhibition at the DC1 Gallery to complement the performance of Light Dial...
Exhibition curated by Jim Walker celebrating the work of Bob Godfrey, a pivotal figure in British an...
This work uses a set of parameters to enable the 'robots' to draw within a space and timeframe. A se...
In a period of ever increasing modes of capturing, documenting, commenting on contemporary life, soc...
A vocal improvisation with guitar, where the vocie and guitar respond to one another
Generative soundscape presented by Didymus Sound System. Audio exploration of wave forms using gene...
Generative soundscape presented by Didymus Sound System. Audio exploration of wave forms using gene...
When does a drawing turn into a performance? Is the act of drawing in itself a performative process,...