The present article analyses how street art and activism intertwine in public spaces addressing wider audiences. Via the comparative analysis of two cases revolving around the ‘no mafia’ sign at Capaci (Palermo) and the mural dedicated to Carlo Giuliani at the entrance of the Garbatella area within Rome’s Ostiense quarter of Rome, we explore the genesis of both works, their specific spatial setting and the role of social actors in the conservation of the mural paintings. Our analysis will draw on the theoretical findings in memory studies, sociology and research on visual arts.status: submitte
New forms of resistance through Murals: The case of a Roman periphery. Research deepens the relation...
At the beginning of the (short) story of Street Art there was no worse enemy than a museum for an ar...
With its different forms, styles and ways of execution, Street Art is one of the visual culture lang...
The commemoration of victims of violence Street art, activists and their messages of positivity The ...
The commemoration of victims of violence Street art, activists and their messages of positivity The...
In mass communication, city walls have always played an important role in being carriers of visual m...
In mass communication, city walls have always played an important role in being carriers of visual m...
In mass communication, city walls have always played an important role in being carriers of visual m...
Nowadays, street art is one of the most common public art manifestations in bigger cities. However, ...
Da qualche anno Palermo è oggetto di attenzione da parte di artisti che, da varie parti del mondo, h...
Street art is a form of creative expression that has recently become more widespread, with different...
Street art is any art \u2013 specifically visual art \u2013 developed in public spaces. It can inclu...
On the night of May 12, 2016 the street artist Blu, armed with a roller and some grey paint, set out...
Narrating physicaland social space: public art and metamorphosis from margin. The case study of the ...
Street art may be seen as a practice of spontaneous urban appropriation, expressed through a shared ...
New forms of resistance through Murals: The case of a Roman periphery. Research deepens the relation...
At the beginning of the (short) story of Street Art there was no worse enemy than a museum for an ar...
With its different forms, styles and ways of execution, Street Art is one of the visual culture lang...
The commemoration of victims of violence Street art, activists and their messages of positivity The ...
The commemoration of victims of violence Street art, activists and their messages of positivity The...
In mass communication, city walls have always played an important role in being carriers of visual m...
In mass communication, city walls have always played an important role in being carriers of visual m...
In mass communication, city walls have always played an important role in being carriers of visual m...
Nowadays, street art is one of the most common public art manifestations in bigger cities. However, ...
Da qualche anno Palermo è oggetto di attenzione da parte di artisti che, da varie parti del mondo, h...
Street art is a form of creative expression that has recently become more widespread, with different...
Street art is any art \u2013 specifically visual art \u2013 developed in public spaces. It can inclu...
On the night of May 12, 2016 the street artist Blu, armed with a roller and some grey paint, set out...
Narrating physicaland social space: public art and metamorphosis from margin. The case study of the ...
Street art may be seen as a practice of spontaneous urban appropriation, expressed through a shared ...
New forms of resistance through Murals: The case of a Roman periphery. Research deepens the relation...
At the beginning of the (short) story of Street Art there was no worse enemy than a museum for an ar...
With its different forms, styles and ways of execution, Street Art is one of the visual culture lang...