This discussion examines the evolution and lessons of four artistic performance works that engage with text and imagery with the mindset of a composer, rather than as an author or visual artist. The works involve computer music, improvisation, video art, generative art techniques, and challenging aesthetics. An analytical discussion reveals that different forms and mechanisms of reading are manifest in the artworks, and reflections upon these elucidate the intermedial nature of reading and the productive, expressive potential of interfering with these processes
This chapter takes a particular case study, that of the live multimodal signed gestural language, So...
This paper will reflect on several practice-based investigations that examined the transformational ...
In recent decades, advancements in digital technologies have become a rich source of inspiration for...
Music interactivity is a sub-field of human-computer interaction studies. Interactive situations hav...
Drawing from personally situated knowledge derived from creative practice research, I will illustrat...
Thesis: S.M. in Comparative Media Studies, Massachusetts Institute of Technology, Department of Huma...
The development of interactive performance systems is an active area of research in the field of liv...
Creators of visual music face the challenge of retaining their own artistic impetus amidst an overwh...
Interaction is an integral part of all music. Interaction is part of listening, of playing, of compo...
This article discusses three compositions for autonomous laptops performing with improvising musicia...
It is well recognised that performance practices and their development are intricately linked to med...
The question motivating the work presented here, starting from a view of music as embodied and situa...
Recent artistic practices and technologies are reshaping the definitions and categories of musical a...
© 2001 Dr. Don AskerThis study illuminates the experience of improvisation across modes of artistic ...
Experimental Encounters in Music and Beyond opens a necessary dialogue on experimental practices in ...
This chapter takes a particular case study, that of the live multimodal signed gestural language, So...
This paper will reflect on several practice-based investigations that examined the transformational ...
In recent decades, advancements in digital technologies have become a rich source of inspiration for...
Music interactivity is a sub-field of human-computer interaction studies. Interactive situations hav...
Drawing from personally situated knowledge derived from creative practice research, I will illustrat...
Thesis: S.M. in Comparative Media Studies, Massachusetts Institute of Technology, Department of Huma...
The development of interactive performance systems is an active area of research in the field of liv...
Creators of visual music face the challenge of retaining their own artistic impetus amidst an overwh...
Interaction is an integral part of all music. Interaction is part of listening, of playing, of compo...
This article discusses three compositions for autonomous laptops performing with improvising musicia...
It is well recognised that performance practices and their development are intricately linked to med...
The question motivating the work presented here, starting from a view of music as embodied and situa...
Recent artistic practices and technologies are reshaping the definitions and categories of musical a...
© 2001 Dr. Don AskerThis study illuminates the experience of improvisation across modes of artistic ...
Experimental Encounters in Music and Beyond opens a necessary dialogue on experimental practices in ...
This chapter takes a particular case study, that of the live multimodal signed gestural language, So...
This paper will reflect on several practice-based investigations that examined the transformational ...
In recent decades, advancements in digital technologies have become a rich source of inspiration for...