Third Cinema, World Cinema and Marxism offers an analysis of Third Cinema and World Cinema from the perspective of Marxism. Its starting point is an observation that of all cinematic phenomena none is as intimately related to Marxism as Third Cinema, which decries neoliberalism, the capitalist system, and the Hollywood model of cinema as mere entertainment to make money. This is largely to do with the fact that both Marxism and Third Cinema are preoccupied with inequalities resulting from capital accumulation, of which colonialism is the most extreme manifestation. Third Cinema also defines cinematic modes in terms of representing interest of different classes, with First Cinema expressing imperialist, capitalist, bourgeois ideas, Second Ci...
In this thesis I focus on the cultural politics and film practices of Ritwik Ghatak, Mrinal Sen, and...
The aim of this project is to provide an historical and philosophical interpretation of the signific...
The concept of Third Cinema was begun in Latin America in the 1960’s by two Argentine filmmakers, Fe...
UnrestrictedThis dissertation studies continuities and changes in the praxis of Third Cinema over la...
Cinema, like all forms of art, carry within itself the hopes, dreams, anxieties, and horrors of a so...
This book revisits cinema from a Marxist perspective, which has been marginalised by mainstream film...
AbstractApparatuses, Globalities, Assemblages:Third Cinema, NowbyDalida Maria BenfieldDoctor of Phil...
From the sixties onwards, the study of media and culture has increasingly moved from the pages of jo...
THIRD CINEMA THEORY: NEW PERSPECTIVES Synopsis This article tries to address...
The encounter in the 1960s and 70s between Marxism and film studies, as an institutionally recognise...
This chapter turns away from the données of Third Cinema, placing the concept under erasure. It chal...
Cinema has introduced new approaches of expression for contemporary philosophy, that is inherited by...
This dissertation explores how cinema was an important outlet that artists and activists in the 1960...
This book reflects the fact that Marxist film activism is a question of the production, textual char...
Film has become the new face of a literary work. Movie is very interesting for the analysis because ...
In this thesis I focus on the cultural politics and film practices of Ritwik Ghatak, Mrinal Sen, and...
The aim of this project is to provide an historical and philosophical interpretation of the signific...
The concept of Third Cinema was begun in Latin America in the 1960’s by two Argentine filmmakers, Fe...
UnrestrictedThis dissertation studies continuities and changes in the praxis of Third Cinema over la...
Cinema, like all forms of art, carry within itself the hopes, dreams, anxieties, and horrors of a so...
This book revisits cinema from a Marxist perspective, which has been marginalised by mainstream film...
AbstractApparatuses, Globalities, Assemblages:Third Cinema, NowbyDalida Maria BenfieldDoctor of Phil...
From the sixties onwards, the study of media and culture has increasingly moved from the pages of jo...
THIRD CINEMA THEORY: NEW PERSPECTIVES Synopsis This article tries to address...
The encounter in the 1960s and 70s between Marxism and film studies, as an institutionally recognise...
This chapter turns away from the données of Third Cinema, placing the concept under erasure. It chal...
Cinema has introduced new approaches of expression for contemporary philosophy, that is inherited by...
This dissertation explores how cinema was an important outlet that artists and activists in the 1960...
This book reflects the fact that Marxist film activism is a question of the production, textual char...
Film has become the new face of a literary work. Movie is very interesting for the analysis because ...
In this thesis I focus on the cultural politics and film practices of Ritwik Ghatak, Mrinal Sen, and...
The aim of this project is to provide an historical and philosophical interpretation of the signific...
The concept of Third Cinema was begun in Latin America in the 1960’s by two Argentine filmmakers, Fe...