The stance of the figures leaning on a ‘baetyl’ (after Warren) is very standardized. It is not believed here that this fact is significant for the interpretation of the event/ritual that is taking place on the seals comprising these figures. It is however, important for the initial description of what is depicted; even more so when the rendering of the seal is not clear. This standardization is not only going to help us reconstruct some unclear iconography, but will also argue against the existence of the so-called ‘pithos cult’, discrediting most representations of a pithos as mirages
This study describes the author's participation in the excavations at Phylakopi, Mycenaean Sanctuary...
The Griffin Warrior Ring No. 2 is a gold Minoan-style engraved signet ring from Pylos dating to the ...
The topic of Minoan religion has seen a lot of studies for decades. The topic is particularly diffic...
Much has been said for the aniconicity of Minoan Religion. Most of such arguments are predicated on ...
Tamvaki Angela. Minoan and Mycenaean elements in the iconography of the Pylos sealings. In: Bulletin...
Extremely detailed Minoan gold signet rings are ornamented with exquisite depictions in which the ar...
© 2011 Samuel G. CrooksThis thesis examines the aniconic cult stones, or baetyls, of the Aegean Bron...
Can an image "perform" as a means of conveying a particular message? Would a viewer have recognized ...
The importance of the symbolism of the bull in Late Bronze Age Crete is well known. It has been the ...
This is the first article of a much larger project: its function is to prove that certain iconograph...
NYMM 26.31.146 is a black steatite four-‐‑faces prism that has been lent anonymously (according to ...
The conventions of Minoan artists are often alien to us, and call for close and systematic observati...
One of the motifs known in MM seals in Crete shows a series of circular objects linked by two or, so...
This contribution presents a revisited interpretation of a Minoan seal in the Staatliche Münzsammlun...
This study of Minoan Hieroglyphic seals, all prisms, deduces from the orientations of the faces, tha...
This study describes the author's participation in the excavations at Phylakopi, Mycenaean Sanctuary...
The Griffin Warrior Ring No. 2 is a gold Minoan-style engraved signet ring from Pylos dating to the ...
The topic of Minoan religion has seen a lot of studies for decades. The topic is particularly diffic...
Much has been said for the aniconicity of Minoan Religion. Most of such arguments are predicated on ...
Tamvaki Angela. Minoan and Mycenaean elements in the iconography of the Pylos sealings. In: Bulletin...
Extremely detailed Minoan gold signet rings are ornamented with exquisite depictions in which the ar...
© 2011 Samuel G. CrooksThis thesis examines the aniconic cult stones, or baetyls, of the Aegean Bron...
Can an image "perform" as a means of conveying a particular message? Would a viewer have recognized ...
The importance of the symbolism of the bull in Late Bronze Age Crete is well known. It has been the ...
This is the first article of a much larger project: its function is to prove that certain iconograph...
NYMM 26.31.146 is a black steatite four-‐‑faces prism that has been lent anonymously (according to ...
The conventions of Minoan artists are often alien to us, and call for close and systematic observati...
One of the motifs known in MM seals in Crete shows a series of circular objects linked by two or, so...
This contribution presents a revisited interpretation of a Minoan seal in the Staatliche Münzsammlun...
This study of Minoan Hieroglyphic seals, all prisms, deduces from the orientations of the faces, tha...
This study describes the author's participation in the excavations at Phylakopi, Mycenaean Sanctuary...
The Griffin Warrior Ring No. 2 is a gold Minoan-style engraved signet ring from Pylos dating to the ...
The topic of Minoan religion has seen a lot of studies for decades. The topic is particularly diffic...