This dissertation treats the full range of Luce Irigaray\u27s work in their critical, suspicious mode and their transformative arguments. The early works form part of a critical, suspicious movement in Irigaray\u27s thought of sexual difference, yet to understand the totality of her philosophical project from a reading of those works alone will necessarily give an incomplete, hence, incorrect, account of that project. In later works, she turns to a project of transformation that both builds from and surpasses the scope of the earlier works. I begin with an explication of Irigaray\u27s critique of Freud\u27s views on femininity. Next, I turn to the philosophical concern for being over becoming that carries over into Irigaray\u27s treatment o...