The Supreme Court of the United States has held that reception of a licensed radio broadcast of copyrighted musical compositions in a commercial establishment where the compositions are heard by the public does not constitute copyright infringement because it is not a performance within the meaning of the copyright law. Twentieth Century Music Corp. v. Aiken, 422 U.S. 151 (1975)
Congress expressly exempted commercial broadcast radio under U.S. copyright law from paying a royalt...
This Article attempts to clarify the chaotic state of the law concerning performance rights. First, ...
This Article attempts to clarify the chaotic state of the law concerning performance rights. First, ...
By means of a master receiving set under its operation, and loudspeakers controlled by the guests, i...
The 1976 Copyright Act entitles copyright owners of musical works to compensation for public perform...
Performance of a copyrighted work may subject the performer to an infringement action if a license i...
123-132 Several public places such as restaurants, clubs, hotels, night clubs, airports, etc., pla...
US copyright law provides for a digital performance right in sound recordings but does not provide f...
The Article discusses the recognition of the public performance right for sound recordings under the...
This Article attempts to clarify the chaotic state of the law concerning performance rights. First, ...
The original works of copyright holders included tangible creations, as music written on a page, the...
A popular orchestra leader made certain electrical transcriptions (not records) of unique interpreta...
ii In 1790, the founding fathers originally did not provide specific copyright protection in the Uni...
Congress expressly exempted commercial broadcast radio under U.S. copyright law from paying a royalt...
The 1976 Copyright Act entitles copyright owners of musical works to compensation for public perform...
Congress expressly exempted commercial broadcast radio under U.S. copyright law from paying a royalt...
This Article attempts to clarify the chaotic state of the law concerning performance rights. First, ...
This Article attempts to clarify the chaotic state of the law concerning performance rights. First, ...
By means of a master receiving set under its operation, and loudspeakers controlled by the guests, i...
The 1976 Copyright Act entitles copyright owners of musical works to compensation for public perform...
Performance of a copyrighted work may subject the performer to an infringement action if a license i...
123-132 Several public places such as restaurants, clubs, hotels, night clubs, airports, etc., pla...
US copyright law provides for a digital performance right in sound recordings but does not provide f...
The Article discusses the recognition of the public performance right for sound recordings under the...
This Article attempts to clarify the chaotic state of the law concerning performance rights. First, ...
The original works of copyright holders included tangible creations, as music written on a page, the...
A popular orchestra leader made certain electrical transcriptions (not records) of unique interpreta...
ii In 1790, the founding fathers originally did not provide specific copyright protection in the Uni...
Congress expressly exempted commercial broadcast radio under U.S. copyright law from paying a royalt...
The 1976 Copyright Act entitles copyright owners of musical works to compensation for public perform...
Congress expressly exempted commercial broadcast radio under U.S. copyright law from paying a royalt...
This Article attempts to clarify the chaotic state of the law concerning performance rights. First, ...
This Article attempts to clarify the chaotic state of the law concerning performance rights. First, ...