This exposition presents the ongoing artistic research project ‘Curating the Art School – Propositions for developing a collaborative art space in the intersection between art school and community’ which has driven the creation of a new arts organisation at the University of Reading. I would like to offer an introduction to the research questions, a situational and theoretical background and present some of the artistic and curatorial explorations via photo documentation and links to the project pages as a running visual commentary on the right side of this exposition. ‘Reading International’ was established to develop and test the creation of a liminal space between an art school, a regional arts community and an international contempor...
This project, a thesis incorporating a 41,357 word textual commentary and related documentation of a...
A third space can be unlocked through collaborative efforts between out-of-school organisations (lik...
Public campus art in the U.K. is predominantly a postwar phenomenon and can be interpreted as artwor...
Reading International is a new contemporary art organisation located within the Reading School of Ar...
This paper will consider the issue of creating and sustaining an effective learning environment for ...
This paper will perform the edited results of a conversation between the four members of the artists...
Drawing Spaces is a collaborative research initiative establishing links across traditional subject ...
Although the borders between art practice and domains like philosophy have been questioned, educatio...
Art School is a body of research that focuses on the pedagogical environment and the conditions of c...
The publication deals with the collaborators interest in, art, architecture and collective practice;...
Chapter considers our roles as artists and educators whose engagement with museums takes multiple fo...
Visual art scene and their surrounding communities have failed to work cooperatively to address art ...
This paper will examine how university art and design education can engageproductively and profoundl...
‘The Artists' Book as Collaborative Practice’ was a keynote illustrated lecture presented at the 'TH...
The Royal College of Art is proud to host the TRADERS project’s closing conference ‘MEDIATIONS - Ar...
This project, a thesis incorporating a 41,357 word textual commentary and related documentation of a...
A third space can be unlocked through collaborative efforts between out-of-school organisations (lik...
Public campus art in the U.K. is predominantly a postwar phenomenon and can be interpreted as artwor...
Reading International is a new contemporary art organisation located within the Reading School of Ar...
This paper will consider the issue of creating and sustaining an effective learning environment for ...
This paper will perform the edited results of a conversation between the four members of the artists...
Drawing Spaces is a collaborative research initiative establishing links across traditional subject ...
Although the borders between art practice and domains like philosophy have been questioned, educatio...
Art School is a body of research that focuses on the pedagogical environment and the conditions of c...
The publication deals with the collaborators interest in, art, architecture and collective practice;...
Chapter considers our roles as artists and educators whose engagement with museums takes multiple fo...
Visual art scene and their surrounding communities have failed to work cooperatively to address art ...
This paper will examine how university art and design education can engageproductively and profoundl...
‘The Artists' Book as Collaborative Practice’ was a keynote illustrated lecture presented at the 'TH...
The Royal College of Art is proud to host the TRADERS project’s closing conference ‘MEDIATIONS - Ar...
This project, a thesis incorporating a 41,357 word textual commentary and related documentation of a...
A third space can be unlocked through collaborative efforts between out-of-school organisations (lik...
Public campus art in the U.K. is predominantly a postwar phenomenon and can be interpreted as artwor...