One of the key goals within the global higher education sector is to continue to improve current practice in learning and teaching. Associated with this push is accountability or compliance, in terms of institutional leaders and teaching staff being able to evidence the ways in which student learning outcomes are achieved. A current area of focus in higher education is the concept of learner-centred teaching, where the student is expected to contribute more to the teaching and learning transactions. Amidst this context, this paper focuses on the applied studio teaching model in music, also known as the one-to-one lesson. Involving 54 current practitioners across four countries, survey findings reveal that numerous teachers have had no forma...
In the current study, 11 expert music teachers were asked to reflect on their own practice and compa...
Despite the significant recent growth in research relating to instrumental, vocal and composition tu...
As a consequence of restructuring instrumental music education in the Netherlands, Art Centres incre...
One of the key goals within the global higher education sector is to continue to improve current pra...
In the higher education music sector, it is often the case that high-profile performing musicians ar...
Many students worldwide engage in lessons on a music instrument; the most common format for this typ...
In higher education music instrument teaching, there is a strong tradition of high-level performers ...
Research into pedagogy in the context of instrumental and vocal tuition is, by its nature, limitless...
Instrumental teachers are generally highly trained and skilled performers who are self-taught educat...
Tertiary music studies have come under little scrutiny since the establishment of the conservatoire ...
© 2020 Taylor and Francis. The Learner-Centered Music Classroom: Models and Possibilities is a resou...
Research into pedagogy in the context of instrumental and vocal tuition is, by its nature, limitless...
This study focuses on connecting student teachers’ formal and autonomous learning to strengthen stud...
The authors followed the progress of 43 undergraduate music education majors through three semesters...
AbstractThis study focuses on connecting student teachers’ formal and autonomous learning to solidif...
In the current study, 11 expert music teachers were asked to reflect on their own practice and compa...
Despite the significant recent growth in research relating to instrumental, vocal and composition tu...
As a consequence of restructuring instrumental music education in the Netherlands, Art Centres incre...
One of the key goals within the global higher education sector is to continue to improve current pra...
In the higher education music sector, it is often the case that high-profile performing musicians ar...
Many students worldwide engage in lessons on a music instrument; the most common format for this typ...
In higher education music instrument teaching, there is a strong tradition of high-level performers ...
Research into pedagogy in the context of instrumental and vocal tuition is, by its nature, limitless...
Instrumental teachers are generally highly trained and skilled performers who are self-taught educat...
Tertiary music studies have come under little scrutiny since the establishment of the conservatoire ...
© 2020 Taylor and Francis. The Learner-Centered Music Classroom: Models and Possibilities is a resou...
Research into pedagogy in the context of instrumental and vocal tuition is, by its nature, limitless...
This study focuses on connecting student teachers’ formal and autonomous learning to strengthen stud...
The authors followed the progress of 43 undergraduate music education majors through three semesters...
AbstractThis study focuses on connecting student teachers’ formal and autonomous learning to solidif...
In the current study, 11 expert music teachers were asked to reflect on their own practice and compa...
Despite the significant recent growth in research relating to instrumental, vocal and composition tu...
As a consequence of restructuring instrumental music education in the Netherlands, Art Centres incre...