For over 50 years now, Jean-Luc Godard's work in cinema and video has innovated, provoked and inspired. Since the completion in 1998 of Histoire(s) du cinima, Godard has featured strongly in debates about audiovisual art and culture, especially regarding questions of historical memory, technological change, and the future of cinema in all its forms. This historical moment provides the perfect opportunity for a critical reassessment and redefinition of Godard's entire corpus and its key role within contemporary culture
Il saggio affronta la questione dell'archivio a partire da una delle opere cinematografiche più impo...
This article examines a little-known compilation film titled Sauve la vie (qui peut) that Jean-Luc G...
The beginning of Jean-Luc Godard’s essayistic practice is intrinsically linked to the use of the dip...
Jean-Luc Godard's Histoire(s) du cinema (1988-1998) is a video work made up of visual and verbal quo...
Book synopsis: For over 50 years now, Jean-Luc Godard's work in cinema and video has innovated, prov...
Book synopsis: For over 50 years now, Jean-Luc Godard's work in cinema and video has innovated, prov...
In Histoire(s) du cinéma, Jean-Luc Godard finally connects his human being’s existence with history ...
Contemporary to the emergence of video first, and to digital culture later, Jean-Luc Godard profaned...
Enfant terrible, celluloid deity,and self-construed “composer” of film, Jean-Luc Godard requires sca...
<p>"The standard historical image of Jean-Luc Godard is that of a resolute iconoclast breaking with ...
A This master's thesis explores the question of origins and death in Jean-Luc Godard's Histoire ( s ...
With digital technology and ‘anti-globalisation’ politics fusing to create a new wave of activist ci...
"Jean-Luc Godard is nothing if not an enigma. His image has a life of its own, especially in its you...
Il saggio affronta la questione dell'archivio a partire da una delle opere cinematografiche più impo...
This thesis attempts to re-examine the work of Jean-Luc Godard and in particular the claims which ha...
Il saggio affronta la questione dell'archivio a partire da una delle opere cinematografiche più impo...
This article examines a little-known compilation film titled Sauve la vie (qui peut) that Jean-Luc G...
The beginning of Jean-Luc Godard’s essayistic practice is intrinsically linked to the use of the dip...
Jean-Luc Godard's Histoire(s) du cinema (1988-1998) is a video work made up of visual and verbal quo...
Book synopsis: For over 50 years now, Jean-Luc Godard's work in cinema and video has innovated, prov...
Book synopsis: For over 50 years now, Jean-Luc Godard's work in cinema and video has innovated, prov...
In Histoire(s) du cinéma, Jean-Luc Godard finally connects his human being’s existence with history ...
Contemporary to the emergence of video first, and to digital culture later, Jean-Luc Godard profaned...
Enfant terrible, celluloid deity,and self-construed “composer” of film, Jean-Luc Godard requires sca...
<p>"The standard historical image of Jean-Luc Godard is that of a resolute iconoclast breaking with ...
A This master's thesis explores the question of origins and death in Jean-Luc Godard's Histoire ( s ...
With digital technology and ‘anti-globalisation’ politics fusing to create a new wave of activist ci...
"Jean-Luc Godard is nothing if not an enigma. His image has a life of its own, especially in its you...
Il saggio affronta la questione dell'archivio a partire da una delle opere cinematografiche più impo...
This thesis attempts to re-examine the work of Jean-Luc Godard and in particular the claims which ha...
Il saggio affronta la questione dell'archivio a partire da una delle opere cinematografiche più impo...
This article examines a little-known compilation film titled Sauve la vie (qui peut) that Jean-Luc G...
The beginning of Jean-Luc Godard’s essayistic practice is intrinsically linked to the use of the dip...