Oral literary elements in works of Dragojla Jarnević

Osvrćući se na društveno-političke prilike u 19. stoljeću, rad se bavi djelom, djelomično i likom Dragojle Jarnević u vrijeme hrvatskoga književnog romantizma. S obzirom na razdoblje u kojem je pisala, u radovima Dragojle Jarnević zrcale se neke od preporodnih poetičkih težnji, naročito one vezana uz usmenu književnost i njezino uključivanje u autorske tekstove preuzimanjem tema, motiva ili pripovjednih tehnika. Utjecaj usmene književnosti na motivskoj i tematskoj razini te u narativnim postupcima najviše se ističe u pripovijetkama Žertve iz ljubavi i viernosti za domovinu i Oba priatelja koje se, svojom strukturom, plošnim prikazom likova i sretnim završetkom, ponajviše dovode u vezu s bajkovnim postupcima i elementima. Ti se elementi u trećoj pripovijetci Povodkinje pod gradom Ozlom zamjenjuju predajnim intertekstom te se analizira korištenje predaje kao usmenoknjiževnoga proznog žanra, polazeći od njezinih gradbenih elemenata i ključnih postupaka. Romanom Dva pira Dragojla dokazuje pripovjedni napredak te, osim samostalnim usmenim oblicima – poslovicama i govorničkim oblicima, priču između dva pira oblikuje opisima narodnih običaja sa stalnim epitetima, pučkom etimologijom te poznatim elementima prerušavanja, otmica i prepoznavanja.Looking back at the socio-political circumstances in the 19th century, the paper deals with the work, and partially with the character of Dragojla Jarnević during the time of Croatian literary Romanticism. Considering the period in which she was writing, Dragojla Jarnević's works reflect some of the poetic aspirations of Croatian national revival, especially those related to oral literature and its involvement in authorial texts by taking over topics, motifs or narrative techniques. The influence of the oral literature on the motif and topic levels as well as narration methods is most emphasized in the stories Žertve iz ljubavi i viernosti za domovinu and Oba priatelja, which, with their structure, flat portrayal of characters and happy ending, are mostly associated with fairy tale methods and elements. These elements in the third story of the Povodkinje pod gradom Ozlom are replaced by a legend intertext, and the use of the legend as an oral literary prose genre is analyzed, starting from its building elements and key methods. With the novel Dva pira, Dragojla proves narrative progress and, in addition to independent oral forms - proverbs and oratorical forms, shapes the story between two weddings with descriptions of folk customs with fixed epithets, folk etymology and known elements of disguise, kidnapping and recognition