New Hollywood Violenceis a groundbreaking collection of essays devoted to an interrogation of various aspects, dimensions, and depictions of violence in New Hollywood filmmaking. 'New Hollywood' refers to the return to genre filmmaking following America's flirtation with European art cinema in the late 1960s and early 1970s, and is characterized by vast production budgets and special effects. Focusing on the motivations, the formal and stylistic qualities and the cultural politics of violence as well as the effects on viewers, the collection is divided into four sections: 'Surveys and schemas'; 'Spectacle and style'; 'Race and gender' and 'Politics to ideology'. An Afterword by Stephen Prince reflects on the various essays and points the wa...
This volume focuses on postmodern film aesthetics and contemporary challenges to the aesthetic parad...
This chapter reviews the wealth of recent English language publications on American cinema of the la...
In many senses, viewers have cut their teeth on the violence in American cinema: from Anthony Perkin...
New Hollywood Violenceis a groundbreaking collection of essays devoted to an interrogation of variou...
Book synopsis: This superb collection of essays illuminates the film portrayal of violence, masculin...
This collection of essays by leading American film scholars charts a whole new territory in genre fi...
Explosive images of sex and violence in films by directors such as Catherine Breillat, Gaspar Noé, M...
The purpose of the study is to consider the phenomenon of violence on the screen in its historical d...
As a period of film history, The American New Wave (ordinarily understood as beginning in 1967 and e...
Submission note: A thesis submitted in total fulfillment of the requirements for the degree of Docto...
My dissertation explores the emergence of graphic, corporeal violence in American films of the late ...
Violence can be handled in a variety of ways across a wide variety of film genres and specific grasp...
This article profiles the violence that occurs in the films that compose the most popular (top-gross...
This thesis examines the discursive significance of violence in twentieth century popular culture. I...
This article focuses on a cycle of late 1960s true crime films depicting topical mass/serial murders...
This volume focuses on postmodern film aesthetics and contemporary challenges to the aesthetic parad...
This chapter reviews the wealth of recent English language publications on American cinema of the la...
In many senses, viewers have cut their teeth on the violence in American cinema: from Anthony Perkin...
New Hollywood Violenceis a groundbreaking collection of essays devoted to an interrogation of variou...
Book synopsis: This superb collection of essays illuminates the film portrayal of violence, masculin...
This collection of essays by leading American film scholars charts a whole new territory in genre fi...
Explosive images of sex and violence in films by directors such as Catherine Breillat, Gaspar Noé, M...
The purpose of the study is to consider the phenomenon of violence on the screen in its historical d...
As a period of film history, The American New Wave (ordinarily understood as beginning in 1967 and e...
Submission note: A thesis submitted in total fulfillment of the requirements for the degree of Docto...
My dissertation explores the emergence of graphic, corporeal violence in American films of the late ...
Violence can be handled in a variety of ways across a wide variety of film genres and specific grasp...
This article profiles the violence that occurs in the films that compose the most popular (top-gross...
This thesis examines the discursive significance of violence in twentieth century popular culture. I...
This article focuses on a cycle of late 1960s true crime films depicting topical mass/serial murders...
This volume focuses on postmodern film aesthetics and contemporary challenges to the aesthetic parad...
This chapter reviews the wealth of recent English language publications on American cinema of the la...
In many senses, viewers have cut their teeth on the violence in American cinema: from Anthony Perkin...