This chapter explores Clare’s interactions with the poetic culture and the literary marketplace from the mid-1820s up to the mid-1830s. This period is typically presented as a dead-end for the market for poetry, a time when little literature of note was published, and accordingly a time in which Clare struggled to find an audience. The chapter draws on new scholarship of this period to depict a time of literary, financial and political change that prompted a succession of creative experiments by a wide range of writers. Female poets dominated the literary market; publishers experimented with the possibilities opened up by new technologies, notably in the production of literary annuals; the periodical press expanded; more readers accessed ne...
This paper takes a bibliographic approach to the engagement with and promotion of Manchester poetry ...
This thesis examines how the poetry published by family magazines of the early Victorian period demo...
This dissertation traces the nineteenth- and early-twentieth-century history of what I call “Poetess...
The 1820s and 1830s, the gap between Romanticism and Victorianism, continues to prove a difficulty f...
This collection gathers together an exciting new series of critical essays on the Romantic- and Vict...
Many studies have investigated the strong link between materialist consumption and artistic product...
grantor: University of TorontoThis is a study of 'Poems by Eminent Ladies', the first anth...
This dissertation examines representations of authorship and subjecthood in the Romantic period as p...
Mary Barber's volume Poems on Several Occasions (1734) was one of the first collections of poetry wr...
During XIX century, periodicals responded well to the requests of a larger demanding reading audienc...
This annotated bibliography of John Clare (1793-1864) contains primary and secondary material from 1...
My index and bibliography provides access to L.E.L.\u27s works in their original context. This use i...
Newspapers, magazines, and other periodicals reached a peak of cultural influence and financial succ...
"Second International Conference of the Intercontinental Crosscurrents Network. ‘The Dynamics of Pow...
In this section, Martin Dubois reviews publications on Arnold, Hopkins, the Rossettis, women poets, ...
This paper takes a bibliographic approach to the engagement with and promotion of Manchester poetry ...
This thesis examines how the poetry published by family magazines of the early Victorian period demo...
This dissertation traces the nineteenth- and early-twentieth-century history of what I call “Poetess...
The 1820s and 1830s, the gap between Romanticism and Victorianism, continues to prove a difficulty f...
This collection gathers together an exciting new series of critical essays on the Romantic- and Vict...
Many studies have investigated the strong link between materialist consumption and artistic product...
grantor: University of TorontoThis is a study of 'Poems by Eminent Ladies', the first anth...
This dissertation examines representations of authorship and subjecthood in the Romantic period as p...
Mary Barber's volume Poems on Several Occasions (1734) was one of the first collections of poetry wr...
During XIX century, periodicals responded well to the requests of a larger demanding reading audienc...
This annotated bibliography of John Clare (1793-1864) contains primary and secondary material from 1...
My index and bibliography provides access to L.E.L.\u27s works in their original context. This use i...
Newspapers, magazines, and other periodicals reached a peak of cultural influence and financial succ...
"Second International Conference of the Intercontinental Crosscurrents Network. ‘The Dynamics of Pow...
In this section, Martin Dubois reviews publications on Arnold, Hopkins, the Rossettis, women poets, ...
This paper takes a bibliographic approach to the engagement with and promotion of Manchester poetry ...
This thesis examines how the poetry published by family magazines of the early Victorian period demo...
This dissertation traces the nineteenth- and early-twentieth-century history of what I call “Poetess...