© 2016 The Author(s). This an open access work distributed under the terms of the Creative Commons Attribution Licence (https://creativecommons.org/licenses/by/4.0/), which permits unrestricted reuse, distribution, and reproduction in any medium, provided the original work is properly cited.This keynote seeks to explore what lessons we can learn from HBO, and how the company functions as a cultural site as it systematically sets about legitimatizing a discourse of television as art. So successful has HBO been in creating a particular restricted field of cultural TV production, set outside the mainstream TV networks—driven as they are by advertising revenue and ratings—and explains how HBO has incorporated artistic norms and principles of ev...
© The Author(s) 2019. The British Broadcasting Corporation occupies what is often considered to be a...
This research aimed to analyze the communication phenomenon formed around the strategies of HBO in t...
This thesis explores the changing perceptions of telefantasy’s legitimacy over two periods of televi...
© 2016 The Author(s). This an open access work distributed under the terms of the Creative Commons A...
This document is an Accepted Manuscript of the following article: Kim Akass, and Janet McCabe, ‘HBO ...
With the development of the global entertainment industry, film and television productions are incre...
The premiere US, pay-TV cable company HBO has done more than most to define what ‘original programmi...
The premiere US, pay-TV cable company HBO has done more than most to define what ‘original programmi...
This thesis deals with the position of the cable television Home Box Office in the contemporary digi...
Profile of HBO (Home Box Office Inc) - premium cable and satelite network marked as quality televisi...
In the era of TVIII, characterized by deregulation, multimedia conglomeration, expansion and increas...
This essay examines how the authorship is discursively constructed and employed as an indicator of q...
textAs a result of changing cultural, economic and technological factors, television always exists i...
When one thinks of “public service,” HBO is not typically the media entity that comes to mind. Howev...
Thesis (M.F.A.)--Boston UniversityPLEASE NOTE: Boston University Libraries did not receive an Author...
© The Author(s) 2019. The British Broadcasting Corporation occupies what is often considered to be a...
This research aimed to analyze the communication phenomenon formed around the strategies of HBO in t...
This thesis explores the changing perceptions of telefantasy’s legitimacy over two periods of televi...
© 2016 The Author(s). This an open access work distributed under the terms of the Creative Commons A...
This document is an Accepted Manuscript of the following article: Kim Akass, and Janet McCabe, ‘HBO ...
With the development of the global entertainment industry, film and television productions are incre...
The premiere US, pay-TV cable company HBO has done more than most to define what ‘original programmi...
The premiere US, pay-TV cable company HBO has done more than most to define what ‘original programmi...
This thesis deals with the position of the cable television Home Box Office in the contemporary digi...
Profile of HBO (Home Box Office Inc) - premium cable and satelite network marked as quality televisi...
In the era of TVIII, characterized by deregulation, multimedia conglomeration, expansion and increas...
This essay examines how the authorship is discursively constructed and employed as an indicator of q...
textAs a result of changing cultural, economic and technological factors, television always exists i...
When one thinks of “public service,” HBO is not typically the media entity that comes to mind. Howev...
Thesis (M.F.A.)--Boston UniversityPLEASE NOTE: Boston University Libraries did not receive an Author...
© The Author(s) 2019. The British Broadcasting Corporation occupies what is often considered to be a...
This research aimed to analyze the communication phenomenon formed around the strategies of HBO in t...
This thesis explores the changing perceptions of telefantasy’s legitimacy over two periods of televi...