Add to ORKGA research paper given at the international conference Now & Then, Here & There: Black Artists & Modernism, organised by UAL's Black Artists & Modernism project, held at Tate Britain in October 2016
This thesis paper, Black Things, White Spaces, offers an in depth look into my journey as an artist ...
"While the narrative of modernism has often excluded artists and intellectuals of African descent, A...
Building on the challenges set out at the Shades of Black conference in 2001, this thesis contribute...
This research seeks to better understand how Black artists experience the mainstream art museum. The...
‘Conceptualism: Intersectional Readings, International Framings’ was an international conference pre...
This day-long conference brings together acclaimed contributors from the UK and USA for a series of ...
textRacialization, Representation, and Resistance: Black Visual Artists and the Production of Alteri...
Since the beginning of the transatlantic slave trade, Africa has played an important — albeit shifti...
My dissertation considers the ways in which African/African Diasporan women creatively and political...
This study unites the burgeoning academic field of exhibition histories and the critiques of race-ba...
Towards a Poetics of Bafflement asserts that blackness baffles—confuses and frustrates—the order of ...
The article offers a conjunctural analysis of three 'moments' in the post-war black visual arts in t...
This study unitesthe burgeoning academic field of exhibition histories and the critiques of race-bas...
The starting-point for this exhibition is a pivotal decade for British culture and politics: the 198...
Thin Black Line(s) was an exhibition curated by Paul Goodwin and Lubaina Himid at Tate Britain, Janu...
This thesis paper, Black Things, White Spaces, offers an in depth look into my journey as an artist ...
"While the narrative of modernism has often excluded artists and intellectuals of African descent, A...
Building on the challenges set out at the Shades of Black conference in 2001, this thesis contribute...
This research seeks to better understand how Black artists experience the mainstream art museum. The...
‘Conceptualism: Intersectional Readings, International Framings’ was an international conference pre...
This day-long conference brings together acclaimed contributors from the UK and USA for a series of ...
textRacialization, Representation, and Resistance: Black Visual Artists and the Production of Alteri...
Since the beginning of the transatlantic slave trade, Africa has played an important — albeit shifti...
My dissertation considers the ways in which African/African Diasporan women creatively and political...
This study unites the burgeoning academic field of exhibition histories and the critiques of race-ba...
Towards a Poetics of Bafflement asserts that blackness baffles—confuses and frustrates—the order of ...
The article offers a conjunctural analysis of three 'moments' in the post-war black visual arts in t...
This study unitesthe burgeoning academic field of exhibition histories and the critiques of race-bas...
The starting-point for this exhibition is a pivotal decade for British culture and politics: the 198...
Thin Black Line(s) was an exhibition curated by Paul Goodwin and Lubaina Himid at Tate Britain, Janu...
This thesis paper, Black Things, White Spaces, offers an in depth look into my journey as an artist ...
"While the narrative of modernism has often excluded artists and intellectuals of African descent, A...
Building on the challenges set out at the Shades of Black conference in 2001, this thesis contribute...