For Keith Howard’s comprehensive survey of Korean music, categorisation and terminology are essential approaches, for example in setting two separate points of departure in the ‘Little’ and the ‘Great’ traditions. He then illustrates the practices and changes of kugak, the standard concept of Korean traditional music, under conditions of modernity, arriving at a redefinition of Korean music in terms of its oldest component – performance
To Korean people by the end of the 19th century who had previously enjoyed only traditional music ge...
Transformations in Korean traditional musics social and cultural capital echo the Republic of Koreas...
M.A. University of Hawaii at Manoa 2011.Includes bibliographical references.In the late twentieth ce...
The impact of Western music on the music of non-Western cultures has been an important topic in ethn...
Rethinking Korean Identity in Music: Editor’s Introduction / Eun-Young Jung, pp. 1-3 “Fusion” and Qu...
As Korea has developed and modernized, music has come to play a central role as a symbol of national...
Keith Howard offers an account of how Korean Christians who are professional musicians specializing ...
As cultural interaction has increased, the musical changes that take place in non-Western culture ha...
The world of kugak, Korean traditional music, has today assumed a timeless quality. It is an importa...
Helffer Mireille. Keith Howard, Korean Musical Instruments. A pratical Guide. In: Cahiers d'Extrême-...
The colonial period represents a complex situation in which Korean music performances were transform...
This article explores the historical institutionalism inherent in Korea's National Gugak Centre and ...
After the period of Japanese colonization and the Korean War in early 20th century, Korea rapidly ad...
This paper explores global K-pop’s negotiation and reconstruction of Korean aesthetics via the_disma...
This dissertation focuses on kayagŭm shin'gok, newly composed music for the kayagŭm, a Korean 12-str...
To Korean people by the end of the 19th century who had previously enjoyed only traditional music ge...
Transformations in Korean traditional musics social and cultural capital echo the Republic of Koreas...
M.A. University of Hawaii at Manoa 2011.Includes bibliographical references.In the late twentieth ce...
The impact of Western music on the music of non-Western cultures has been an important topic in ethn...
Rethinking Korean Identity in Music: Editor’s Introduction / Eun-Young Jung, pp. 1-3 “Fusion” and Qu...
As Korea has developed and modernized, music has come to play a central role as a symbol of national...
Keith Howard offers an account of how Korean Christians who are professional musicians specializing ...
As cultural interaction has increased, the musical changes that take place in non-Western culture ha...
The world of kugak, Korean traditional music, has today assumed a timeless quality. It is an importa...
Helffer Mireille. Keith Howard, Korean Musical Instruments. A pratical Guide. In: Cahiers d'Extrême-...
The colonial period represents a complex situation in which Korean music performances were transform...
This article explores the historical institutionalism inherent in Korea's National Gugak Centre and ...
After the period of Japanese colonization and the Korean War in early 20th century, Korea rapidly ad...
This paper explores global K-pop’s negotiation and reconstruction of Korean aesthetics via the_disma...
This dissertation focuses on kayagŭm shin'gok, newly composed music for the kayagŭm, a Korean 12-str...
To Korean people by the end of the 19th century who had previously enjoyed only traditional music ge...
Transformations in Korean traditional musics social and cultural capital echo the Republic of Koreas...
M.A. University of Hawaii at Manoa 2011.Includes bibliographical references.In the late twentieth ce...