This paper consists of the study of a tiny ivory hand kept in the Department of Islamic Art of the Metropolitan Museum of Art in New York (acc. no. 86.11.258). Due to the absence of information on the circumstances of its finding and the excavation context, the origin and dating of the artefact are uncertain. The only evidence for establishing a chronological and geographical context is found in the features of the artefact and its decoration. Nevertheless, the latter are quite specific and their morphological and iconographical analysis allows us to identify the tiny hand as part of a back scratcher and to trace its production back to 11th-century Iran
The paper discusses a fragment of a specific type of Arabic amulet produced as woodcuts. Comparing t...
Beginning in 1906, the year of Cartailhac\u27s writing on the hands in red and black in the cave of ...
Abstract. About Two Centuries after Islam appearance, Pottery Production in Islamic lands underwent ...
This paper deals with the Islamic hand-modelled clay figurines from the excavations carried out at I...
In 1939, a rich archaeological find was made in Afghanistan when a hoard of luxury objects was excav...
The Qajar Period (1794 - 1925 AD) had special features in the history of art in Iran. Art and painti...
The article inserted in a short and dense volume edited by Prof. A.M. D'Onofrio entitled Tallies, To...
This study is an investigation into the semiotics of carved ivory objects in the Frankish Empire of ...
The objective of this study is to re-evaluate the formation of Hittite traditions and characteristic...
In the Libyan Desert, Wadi Sūra II shelter hosts numerous stencil paintings believed to date to the ...
This survey was conducted to identify the design of motifs and pattern found in the wooden objects o...
The present study aims to identify the materials and techniques used in Persian illuminated manuscri...
Any discussion on Shi’i material culture and art objects in Iran today clearly benefits from a famil...
It is argued that the composition of part of an Indian miniature painting in a private collection in...
While academic discussion of ornament within medieval Islamic art has laboured much over the codific...
The paper discusses a fragment of a specific type of Arabic amulet produced as woodcuts. Comparing t...
Beginning in 1906, the year of Cartailhac\u27s writing on the hands in red and black in the cave of ...
Abstract. About Two Centuries after Islam appearance, Pottery Production in Islamic lands underwent ...
This paper deals with the Islamic hand-modelled clay figurines from the excavations carried out at I...
In 1939, a rich archaeological find was made in Afghanistan when a hoard of luxury objects was excav...
The Qajar Period (1794 - 1925 AD) had special features in the history of art in Iran. Art and painti...
The article inserted in a short and dense volume edited by Prof. A.M. D'Onofrio entitled Tallies, To...
This study is an investigation into the semiotics of carved ivory objects in the Frankish Empire of ...
The objective of this study is to re-evaluate the formation of Hittite traditions and characteristic...
In the Libyan Desert, Wadi Sūra II shelter hosts numerous stencil paintings believed to date to the ...
This survey was conducted to identify the design of motifs and pattern found in the wooden objects o...
The present study aims to identify the materials and techniques used in Persian illuminated manuscri...
Any discussion on Shi’i material culture and art objects in Iran today clearly benefits from a famil...
It is argued that the composition of part of an Indian miniature painting in a private collection in...
While academic discussion of ornament within medieval Islamic art has laboured much over the codific...
The paper discusses a fragment of a specific type of Arabic amulet produced as woodcuts. Comparing t...
Beginning in 1906, the year of Cartailhac\u27s writing on the hands in red and black in the cave of ...
Abstract. About Two Centuries after Islam appearance, Pottery Production in Islamic lands underwent ...